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Making Caribbean DanceContinuity and Creativity in Island Cultures$
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Susanna Sloat

Print publication date: 2010

Print ISBN-13: 9780813034676

Published to Florida Scholarship Online: September 2012

DOI: 10.5744/florida/9780813034676.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use (for details see http://www.florida.universitypressscholarship.com/page/privacy-policy).date: 16 August 2018

Helen, Heaven, and I

Helen, Heaven, and I

In Search of a Dialogue

Chapter:
(p.247) 17 Helen, Heaven, and I
Source:
Making Caribbean Dance
Author(s):
Tania Isaac
Publisher:
University Press of Florida
DOI:10.5744/florida/9780813034676.003.0017

Tania Isaac suggests, in her writing here as in her choreography and performance pieces, an intense, complex experience of knowing her native island, St. Lucia, through its dance and its ways of looking at the body. To do this she finds four names for St. Lucia which suggest metaphoric characterizations of the multiple selves of her island. She uses these selves to explore the movement of St. Lucian kwadril (quadrille), masquerade, calypso, and soca, of Carnival of the bands playing mas and the more individualistic Carnival of Ol' Mas. Isaac uses description and metaphor to suggest a density and variety of cultural information, a layering that can contain all contradictions.

Keywords:   Tania Isaac, choreography, St. Lucia, kwadril, quadrille, masquerade, calypso, soca, Carnival, playing mas

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