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Making Caribbean DanceContinuity and Creativity in Island Cultures$
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Susanna Sloat

Print publication date: 2010

Print ISBN-13: 9780813034676

Published to Florida Scholarship Online: September 2012

DOI: 10.5744/florida/9780813034676.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use (for details see www.florida.universitypressscholarship.com/page/privacy-policy).date: 09 December 2018

When Jamaica Dances

When Jamaica Dances

Context and Content

Chapter:
(p.97) 8 When Jamaica Dances
Source:
Making Caribbean Dance
Author(s):
Cheryl Ryman
Publisher:
University Press of Florida
DOI:10.5744/florida/9780813034676.003.0008

Cheryl Ryman offers an intensive view of the complexities and richness of Jamaican folkloric dance. She sets up a detailed context for her unusually complete description of the dances, giving insights into ways in which all dance cultures can be identified, the African aesthetics and spirituality that define Jamaican dance, and the way a dance event evolves, reflecting what happens in much of the Caribbean. Ryman's extensive descriptions of such traditions as Jonkonnu, Bruckin Party, Buru, Maypole, Mento, Kumina, the Nine Night dances, including dinki mini and guerre, Maroon Kromanti play nation dances, Etu, Hosay, and Rastafari greatly enhance knowledge of the complications of Jamaica's historic folkloric culture.

Keywords:   Cheryl Ryman, Jamaican dance, Jonkonnu, Bruckin Party, Mento, Kumina, Nine Nights, Maroons, Kromanti play, Rastafari

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