Jump to ContentJump to Main Navigation
Racial Experiments in Cuban Literature and Ethnography$

Emily A. Maguire

Print publication date: 2011

Print ISBN-13: 9780813037479

Published to Florida Scholarship Online: May 2012

DOI: 10.5744/florida/9780813037479.001.0001

Show Summary Details
Page of

PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use (for details see http://www.florida.universitypressscholarship.com/page/privacy-policy). Subscriber: null; date: 26 February 2017

(p.209) Selected Bibliography

(p.209) Selected Bibliography

Source:
Racial Experiments in Cuban Literature and Ethnography
Publisher:
University Press of Florida

Bibliography references:

Aching, Gerard. “Beyond Sites of Execution: Haiti and the Historical Imagination in C.L.R. James and Alejo Carpentier.” Sisyphus and Eldorado: Magical and Other Realisms in Caribbean Literature. Ed. Timothy J. Reiss. 2nd ed. Trenton, N.J.: Africa World Press, 2002. 103–26.

———. Masking and Power: Carnival and Popular Culture in the Caribbean. Cultural Studies of the Americas. Eds. George Yúdice, Jean Franco, and Juan Flores. Minneapolis: University of Minnesota Press, 2002.

———. “On the Creation of Unsung National Heroes: Barnet's Esteban Montejo and Armas's Julián del Casal.” Latin American Literary Review 22.43 (January–June 1994): 31–50.

Alonso, Carlos J. The Burden of Modernity: The Rhetoric of Cultural Discourse in Spanish America. Cambridge: Cambridge University Press, 1998.

———. The Spanish American Regional Novel: Modernity and Autochthony. Cambridge: Cambridge University Press, 1990.

Anderson, Benedict. Imagined Communities. 1983. London: Verso, 1991.

Anderson, Thomas F. “Inconsistent Depictions of Afro-Cubans and Their Cultural Manifestations in the Early Poetry of Marcelino Arozarena.” Afro-Hispanic Review 27.2 (Fall 2008): 9–44.

Andrews, George Reid. Afro-Latin America, 1800–2000. Oxford: Oxford University Press, 2004.

Archer Straw, Petrine. Negrophilia. Avant-Garde Paris and Black Culture in the 1920s. New York: Thames and Hudson, 2000.

Arnedo-Gómez, Miguel. Writing Rumba: The Afrocubanista Movement in Poetry. New World Studies. Charlottesville, Va.: University of Virginia Press, 2006.

Arozarena, Marcelino. “Canción negra sin color.” La palabra. March 1935

.

Rpt. in Afro-Hispanic Review 17:1 (Spring 1998): 31–32.

Arroyo, Jossianna. Travestismos culturales: Literatura y etnografía en Cuba y Brasil. Serie Nuevo Siglo. Pittsburgh: Instituto International de Literatura Iberoamericana, 2003.

Asad, Talal. “The Concept of Cultural Translation in British Social Anthropology.” Writing Culture: The Poetics and Politics of Ethnography. Eds. James Clifford and George E. Marcus. Berkeley: University of California Press, 1986. 141–64.

(p.210) Bakhtin, M. M. The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981.

Barnes, Sandra T. Africa's Ogun: Old World and New. 2nd. ed. Bloomington: Indiana University Press, 1997.

Barnet, Miguel. “The Alchemy of Memory.” Biography of a Runaway Slave. Trans. Nick Hill. Willmantic, Conn.: Curbstone Press, 1994. 203–208.

———. Biografía de un cimarrón. 1966. Havana: Editorial Letras Cubanas, 2001.

———. Biography of a Runaway Slave. Trans. Nick Hill. Willmantic, Conn.: Curbstone Press, 1994.

———. La fuente viva. Havana: Editorial Letras Cubanas, 1998.

Barreda-Tomás, Pedro M. “Alejo Carpentier: dos visiones del negro, dos conceptos de la novela.” Hispania 55.1 (March 1972): 34–44.

Barreiro, José. “Indians in Cuba.” Cultural Survival Quarterly 13.3 (1989): 56–60.

Bastide, Roger. Le Candomblé de Bahia (Rite Nagô). Mouton & Co., Paris-La Haye, 1958. Terre Humaine. Paris: Éditions Plon, 2000.

Behar, Ruth. “Introduction: Out of Exile.” Women Writing Culture. Berkeley: University of California Press, 1995. 1–32.

Bell, Michael. “The Metaphysics of Modernism.” The Cambridge Companion to Modernism. Ed. Michael Levenson. Cambridge: Cambridge University Press, 1999.

Benítez Rojo, Antonio. “Creolization and Nation-building in the Hispanic Caribbean.” Sisyphus and Eldorado: Magical and Other Realisms in Caribbean Literature. Ed. Timothy J. Reiss, 2nd ed. Trenton, N.J.: Africa World Press, 2002. 201–10.

———. La isla que se repite: El Caribe y la perspectiva posmoderna. 1989. Hanover, N.H.: Ediciones del Norte, 1996.

Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. 1982. New York: Penguin Books, 1988.

Bethell, Leslie, ed. Ideas and Ideologies in Twentieth-Century Latin America. Cambridge: Cambridge University Press, 1996.

Beverley, John. “The Margin at the Center: On Testimonio (1989).” The Real Thing: Testimonial Discourse and Latin America. Ed. Georg M. Gugelberger. Durham: Duke University Press, 1996. 23–41.

Bhabha, Homi K. “DissemiNation: Time, Narrative, and the Margins of the Modern Nation.” Nation and Narration. Ed. Homi K. Bhabha. London: Routledge, 1990. 291–322.

———. The Location of Culture. London: Routledge, 1994.

Birkenmaier, Anke. Alejo Carpentier y la cultura del surrealismo en América Latina. Madrid: Iberoamericana Vervuert, 2006.

———. “Alejo Carpentier y Wifredo Lam: Negociaciones para un arte revolucionario.” Cuba: Un siglo de literatura (1902–2002). Eds. Anke Birkenmaier and Roberto González Echevarría. Madrid: Editorial Colibrí, 2004. 71–90.

Blake, Jody. Le Tumulte Noir: Modernist Art and Popular Entertainment in Jazz-Age Paris, 1900–1930. University Park: Penn State University Press, 1999.

(p.211) Boas, Franz. Preface. Mules and Men. By Zora Neale Hurston. 1935. New York: Harper Collins, 1990. xiii–xiv.

Bolívar Arostegui, Natalia. Cuba: Imágenes y relatos de un mundo mágico. Havana: Ediciones Unión, 1997.

———. Lydia Cabrera en su laguna sagrada. Santiago de Cuba: Editorial Oriente, 2000.

Bolívar Arostegui, Natalia, and Valentina Porras Pots. Orisha Ayé: Unidad mítica del Caribe al Brasil. Guadalajara, Spain: Ediciones Pontón, 1996.

Boti, Regino E. “La poesía cubana de Nicolás Guillén.” Revista Bimestre Cubana (mayo-junio 1932): 140–46.

Boym, Svetlana. The Future of Nostalgia. New York: Basic Books, 2001.

Branche, Jerome C. Colonialism and Race in Luso-Hispanic Literature. Columbia: University of Missouri Press, 2006.

Brandon, Ruth. Surreal Lives: The Surrealists, 1917–1945. New York: Grove Press, 1999.

Breton, André. Conversations: The Autobiography of Surrealism. 1969, Paris: Editions Gallimard. Trans. Mark Polizzotti. New York: Marlowe & Company, 1993.

———. Manifestoes of Surrealism. Trans. Richard Seaver and Helen R. Lane. Ann Arbor: University of Michigan Press, 1962.

Bronfman, Alejandra. Measures of Equality: Social Science, Citizenship, and Race in Cuba: 1902–1940. Chapel Hill: University of North Carolina Press, 2004.

———. “Poetry in the Presidio: Toward a Study of Proyecto de Código Criminal Cubano.” Cuban Counterpoints: The Legacy of Fernando Ortiz. Eds. Mauricio A. Font and Alfonso W. Quiroz. Lanham, Mass.: Lexington Books, 2005. 157–68.

Brown, David H. Santería Enthroned: Art, Ritual, and Innovation in and Afro-Cuban Religion. Chicago: The University of Chicago Press, 2003.

Buck-Morss, Susan. “Hegel and Haiti.” Critical Inquiry (Summer 2000): 821–65.

Cabrera, Lydia. “Al aficionado a la historia de Cuba que pueda interesar …” Diario Las Américas Wednesday, August 6, 1980.

———. Anagó, vocabulario lucumí. El Yoruba que se habla en Cuba. 1957. Miami: Ediciones Universal, 1996.

———. Ayapá, cuentos de Jicotea. Miami: Ediciones Universal, 1971.

———. Cuentos negros de Cuba. 1936. Miami: Ediciones Universal, 1993.

———. Koeko lyawó: Aprende novicia. Miami: Ultra Graphics, 1980.

———. La laguna sagrada de San Joaquín. 1973. Ediciones Erre. Ed. Isabel Castellanos. 2nd ed. Miami: Ediciones Universal, 1993.

———. La lengua sagrada de los ñáñigos. Miami: V & L Graphics, 1988.

———. El Monte: Igbo Finda, Ewe Orisha, Vititi Nfinda (Notas sobre las religiones, la magia, las supersticiones y el folklore de los negros criollos y el pueblo de Cuba). 1954. Miami: Ediciones Universal, 1983.

———. Paginas sueltas. Ed. Isabel Castellanos. Miami: Ediciones Universal, 1994.

———. Por qué … cuentos negros de Cuba. Colección Del Chicherekú En El Exilio. Madrid: Editorial Ramos, 1972.

(p.212) ———. La Regia Kimbisa del Santo Cristo del Buen Viaje. Miami: Ediciones Universal, 1986.

———. La sociedad secreta abakuá narrada por viejos adeptos. 1959. Miami: Editorial C. R., 1969.

———. “Y Así Fue …” El Tiempo. Página Literaria Sunday, January 18, 1970: 1.

———. Yemayá y Ochún: Kariocha, iyalorichas y olorichas. 1980. Miami: Ediciones Universal, 1996.

Carpentier, Alejo. “Correspondencia con García Caturla.” Obras completas. Vol. 1. Mexico City: Siglo Veintiuno Editores, 1983. 278–313.

———. De lo real maravilloso americano. Colección Pequeños Grandes Ensayos. Mexico City: Universidad Autónoma de Mexico City, 2003.

———. Écue-Yamba-Ó. Obras completas. Vol. 1. Mexico City: Siglo Veintiuno Editores, 1983. 21–194.

———. The Kingdom of This World. 1957. Trans. Harriet de Onís. Introd. Edwidge Danticat. New York: Farrar, Straus and Giroux, 2006.

———. “Lettre des Antilles.” Bifur (1929): 91–105.

———. “La musique cubaine.” Documents 6 (November 1929): 324–27.

———. “Prólogo a Écue-Yamba-Ó.” Obras completas. Vol. 1. Mexico City: Siglo Veintiuno Editores, 1983. 23–28.

———. “Prólogo a El reino de este mundo” Vanguardia latinoamericana: Historia, crítica y documentos. Tomo 2. Caribe, Antillas Mayores y Menores. Eds. Gilberto Mendonça Teles and Klaus Müller-Bergh. Frankfurt am Main: Vervuert; Madrid: Iberoamericana, 2002. 52–55.

———. El reino de este mundo. 1949. Barcelona: Biblioteca del Bolsillo, 1994.

———. “La Rue Fontaine: calle cubana.” Obras completas. Vol. 8: Crónicas 1. México: Siglo Veintiuno Editores, 1985. 295–99.

Castellanos, Isabel. “Introducción.” Páginas sueltas. By Lydia Cabrera. Miami: Ediciones Universal, 1994. 13–66.

Castellanos, Isabel, and Jorge Castellanos. Cultura afrocubana 3: Las religiones y las lenguas. Miami: Ediciones Universal, 1992.

———. Cultura afrocubana 4: Letras, música, arte. Miami: Ediciones Universal, 1994.

Castellanos, Isabel and Josefina Inclán, eds. En torno a Lydia Cabrera (Cincuentenario de “Cuentos negros de Cuba,” 1936–1986). Miami: Ediciones Universal, 1987.

Castellanos, Israel. “Psicología de las multitudes.” 1914. La Habana Elegante, Segunda Época (Summer 2004) http://www.habanaelegante.com/Summer2004/Panoptico.html.

Césaire, Aimé. Notebook of a Return to the Native Land. 1947. Introduction by André Breton. Trans. Clayton Eschleman and Annette Smith. Middletown, Conn.: Wesleyan University Press, 2001.

Chacón y Calvo, José María. “Del folklore cubano.” Archivos del Folklore Cubano 5.2 (1930): 175–79.

Chamoiseau, Patrick, and Raphaël Confiant. Lettres Creoles: Tracées Antillaises et Continentales (p.213) de la Litterature: Haiti, Guadaloupe, Martinique, Guyane. Paris: Hatier, 1991.

Chatterjee, Partha. The Nation and Its Fragments: Colonial and Postcolonial Histories. Princeton: Princeton University Press, 1993.

Clifford, James. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge, Mass.: Harvard University Press, 1988.

Clifford, James, and George E. Marcus, eds. Writing Culture: The Poetics and Politics of Ethnography. Berkeley: University of California Press, 1986.

Cordones Cook, Juanamaría. “Prologue.” Mirar adentro/Looking Within: Selected Poems, 1954–2000. By Nancy Morejón. Detroit: Wayne State University Press, 2003. 13–66.

Coronado, Jorge. The Andes Imagined: Indigenismo, Society, and Modernity. Pittsburgh: University of Pittsburgh Press, 2009.

Coronil, Fernando. “Challenging Colonial Histories: Cuban Counterpoint/Ortiz's Counterfetishism.” Critical Theory, Cultural Politics, and Latin American Narrative. Eds. Stephen M. Bell, Albert H. Le May, and Leonard Orr. South Bend, Ind.: University of Notre Dame Press, 1993.

———. Introduction. Cuban Counterpoint, Tobacco and Sugar. By Fernando Ortiz. Durham and London: Duke University Press, 1995.

Cortés-Roca, Paola. “Etnología fictional: brujos, zombis y otros cuentos caribeños.” Revista Iberoamericana 75.227 (abril–junio 2009): 333–47.

Cotera, María Eugenia. Native Speakers: Ella Deloria, Zora Neale Hurston, Jovita González and the Poetics of Culture. Austin: University of Texas Press, 2008.

Cuervo Hewitt, Julia. Aché, presencia africana: Tradiciones yoruba-lucumí en la narrativa cubana. New York: Peter Lang, 1988.

Dash, J. Michael. Literature and Ideology in Haiti, 1915–1961. Basingstoke, U.K.: Macmillan, 1981.

———. “The Madman at the Crossroads: Delirium and Dislocation in Caribbean Literature.” Profession (2002): 37–43.

Davis, Catherine. A Place in the Sun? Women Writers in Twentieth-Century Cuba. London: Zed Books, 1997.

De Anhalt, Nedda G. “Lydia Cabrera, la Sikuanekua.” Rojo y naranja sobre rojo. Mexico City: Editorial Vuelta, 1991. 35–60.

de Certeau, Michel. The Writing of History. Trans. Tom Conley. New York: Columbia University Press, 1988.

De Costa Willis, Miriam. “Folklore and the Creative Artist: Lydia Cabrera and Zora Neale Hurston.” College Language Association Journal 27:1 (1983): 81–90.

De Ferrari, Guillermina. Vulnerable States: Bodies of Memory in Contemporary Caribbean Fiction. New World Studies. Charlottesville: University Press of Virginia, 2007.

de la Fuente, Alejandro. “Myths of Racial Democracy: Cuba, 1900–1912.” Latin American Research Review 34.3 (1999): 39–73.

———. A Nation For All: Race, Inequality, and Politics in Twentieth-Century Cuba. Chapel Hill: University of North Carolina Press, 2001.

(p.214) de Melo, Alfredo Cesar B. “A face de Janus no ensaísmo latinoamericano.” Chasqui 36.1 (May 2007): 121–32.

“Declaratión del Grupo Minorista.” 1927. In Manifestos, proclamas y polémicas de la vanguardia hispanoamericana, ed. Nelson T. Osorio. Caracas: Biblioteca Ayacucho, 1988. 248–51.

Desnos, Robert. “Introduction.” In “La musique cubaine” by Alejo Carpentier. Documents 6 (November 1929): 324.

Dianteill, Erwan and Martha Swearingen. “From Hierography to Ethnography and Back: Lydia Cabrera's Texts and the Written Tradition in Afro-Cuban Religions.” Journal of American Folklore 116.461 (2003): 273–92.

Díaz Quiñones, Arcadio. “Fernando Ortiz y Allan Kardec: Espiritismo y transculturación.” Catauro 1.0 (July-December 1999): 14–31.

Dirks, Nicholas B. “Annals of the Archive: Ethnographic Notes on the Sources of History.” From the Margins: Historical Anthropology and Its Futures. Ed. Brian Keith Axel. Durham: Duke University Press, 2002. 47–65.

Domina, Lynn. “‘Protection in my Mouf’: Self, Voice and Community in Zora Neale Hurston's Dust Tracks on a Road and Mules and MenAfrican American Review 31.2 (Summer 1997): 197–209.

Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: The Noonday Press, 1995.

Drewal, Margaret Thompson. Yoruba Ritual: Performers, Play, Agency. 2nd ed. Bloomington: Indiana University Press, 1992.

Duany, José. “After the Revolution: The Search for Roots in Afro-Cuban Culture.” Latin American Research Review 23.1 (1988): 244–55.

Du Bois, W.E.B. The Souls of Black Folk. 1903. Ed. Donald B. Gibson. New York: Penguin Books, 1989.

Dumont, Henri. Antropología y patología comparadas de los negros esclavos. 1876. Trans. Israel Castellanos. Havana: Colección Cubana, 1922.

Duno Gottberg, Luis. Solventando las diferencias. La ideología del mestizaje en Cuba. Frankfurt am Main: Vervuert; Madrid: Iberoamericana, 2003.

Edwards, Brent Hayes. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism. Cambridge, Mass.: Harvard University Press, 2003.

Ellis, Keith. Cuba's Nicolás Guillén: Poetry and Ideology. Toronto: University of Toronto Press, 1983.

Fabian, Johannes. Time and the Other: How Anthropology Makes Its Object. New York: Columbia University Press, 1983.

Fass Emery, Amy. The Anthropological Imagination in Latin American Literature. Columbia: University of Missouri Press, 1996.

Fernandes, Sujatha. Cuba Represent!: Cuban Arts, State Power, and the Making of New Revolutionary Cultures. Durham: Duke University Press, 2006.

Fernández de Castro, José Antonio. “La literatura negra actual de Cuba.” Estudios Afrocubanos 4 (1940): 3–22.

(p.215) Fernández Martínez, Mirta, and Valentina Porras Pots. El ashé está en Cuba. Havana: Editorial José Martí, 1998.

Fernández Retamar, Roberto. “Entre cubanos: Tres cuartos de siglo después.” Catauro 1.0 (July-December 1999): 5–13.

Fernández Robaina, Tomás. El negro en Cuba, 1902–1958: Apuntes para la historia de la lucha contra la discriminación racial. Sociologia. Havana: Editorial de Ciencias Sociales, 1990.

Fernández Villa-Urrutia, Rafael. “En torno a la pintura de Wifredo Lam.” Revista Lyceum (1951): 62–69.

Ferrer, Ada. Insurgent Cuba: Race, Nation, and Revolution, 1868–1898. Chapel Hill: University of North Carolina Press, 1999.

Fichtner, Margarita. “The Legendary Lydia Cabrera.” Miami Herald March 14 1982, Living Today section.

Figueroa, Esperanza. “Tres vidas divergentes, Lydia, Enríquez y Carpentier.” En torno a Lydia Cabrera (Cincuentenario de “Cuentos negros de Cuba,” 1936–1986). Eds. Isabel Castellanos and Josefina Inclán. Miami: Ediciones Universal, 1987.

Finnegan, Ruth. Oral Literature in Africa. Oxford: Clarendon, 1970.

Fischer, Sibylle. Modernity Disavowed: Haiti and the Cultures of Slavery in the Age of Revolution. Durham: Duke University Press, 2004.

Font, Mauricio A. and Alfonso W. Quiroz, eds. Cuban Counterpoints: The Legacy of Fernando Ortiz. Lanham, Mass.: Lexington Books, 2005.

Frazer, James George. The Golden Bough: A Study in Magic and Religion. One volume edition, 1890. New York: The Macmillan Company, 1948.

Freud, Sigmund. Jokes and Their Relation to the Unconscious. Trans. James Strachey. New York: W. W. Norton & Company, 1960.

Gabara, Esther. Errant Modernism: The Ethos of Photography in Mexico and Brazil. Durham: Duke University Press, 2008.

García-Carranza, Araceli. “Apuntes bibliográficos de una etapa precursora en los años jóvenes de Alejo Carpentier.” Cuba: Un siglo de literatura (1902–2002). Eds. Anke Birkenmaier and Roberto González Echevarría. Madrid: Editorial Colibri, 2004. 51–70.

Gates, Henry Louis, Jr. The Signifying Monkey: A Theory of African-American Literary Criticism. Oxford: Oxford University Press, 1988.

Geertz, Clifford. After the Fact: Two Countries, Four Decades, One Anthropologist. Cambridge, Mass.: Harvard University Press, 1995.

———. “Found in Translation: On the Social History of the Moral Imagination.” Local Knowledge: Further Essays in Interpretive Anthropology. New York: Basic Books, 1983. 36–54.

Gikandi, Simon. Writing in Limbo: Modernism and Caribbean Literature. Ithaca: Cornell University Press, 1992.

Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Cambridge, Mass.: Harvard University Press, 1993.

(p.216) Glissant, Édouard. Caribbean Discourse: Selected Essays. 1981. Le Discours Antillais. Trans. J. Michael Dash. Caraf Books. Charlottesville: University of Virginia Press, 1989.

———. Poetics of Relation. 1990. Trans. Betsy Wing. Ann Arbor: University of Michigan Press, 1997.

González Echevarría, Roberto. Alejo Carpentier: The Pilgrim at Home. Ithaca: Cornell University Press, 1977.

———. Celestina's Brood: Continuities of the Baroque in Spanish and Latin American Literatures. Durham: Duke University Press, 1993.

———. Myth and Archive: A Theory of Latin American Narrative. 1990. 2nd ed. Durham: Duke University Press, 1998.

González Mandri, Flora. Guarding Cultural Memory: Afro-Cuban Women in Literature and the Arts. New World Studies Series. Charlottesville: Virginia University Press, 2006.

González Pérez, Aníbal. “Ballad of the Two Poets: Nicolás Guillén and Luis Palés Matos.” Callaloo 10. 2 (1987): 285–301.

González y Contreras, Gilberto. “La poesía negra.” Revista Bimestre Cubana. (January–February, 1936): 40–45.

Gordon, Deborah. “The Politics of Ethnographic Authority: Race and Writing in the Ethnography of Margaret Mead and Zora Neale Hurston.” Modernist Anthropology: From Fieldwork to Text. Ed. Mark Manganaro. Princeton: Princeton University Press, 1990. 146–162.

Graff Zivin, Erin. The Wandering Signifier: Rhetoric of Jewishness in the Latin American Imaginary. Durham: Duke University Press, 2009.

Greenfield, Charles. “Cuba's Matriarch of Letters, Lydia Cabrera.” Nuestro, September 1982, 13–16.

Guillén, Nicolás. Epistolario de Nicolás Guillén. Ed. Alexander Pérez Heredia. Havana: Editorial Letras Cubanas, 2002.

———. Obra poética. 1972. 2nd ed. 2 vols. Havana: Editorial Arte y Literatura, 1985.

———. Prosa de prisa, 1929–1972. 4 vols. Havana: Editorial Arte y Literatura, 1975.

Gutiérrez, Mariela A. “La armonía cósmica africana en los cuentos de Lydia Cabrera.” Encuentro 4/5 (Spring–Summer 1997): 202–9.

———. El cosmos de Lydia Cabrera: dioses, animales y hombres. Colección Ébano y Canela. Miami: Ediciones Universal, 1991.

———. Los cuentos negros de Lydia Cabrera: estudio morfológico esquemático. Miami: Ediciones Universal, 1986.

———. An Ethnological Interpretation of the Afro-Cuban World of Lydia Cabrera, 1900–1991. Lewiston, N.Y.: Edwin Mellon Press, 2008.

———. Lydia Cabrera: Aproximaciones mítico-simbólicas a su cuentística. Madrid: Editorial Verbum, 1997.

Hall, Stuart. “Cultural Identity and Diaspora.” Identity: Community, Culture, Difference. Ed. Jonathan Rutherford. London: Lawrence & Wishart, 1990. 222–237.

(p.217) ———. “What Is This Black in Black Popular Culture? (Rethinking Race).” Social Justice 20.1–2 (Spring–Summer 1993): 104–11.

Harrison, Ira E. “Louis Eugene King, the Anthropologist Who Never Was.” African-American Pioneers in Anthropology. Ed. Ira E. Harrison and Faye V. Harrison. Urbana: University of Illinois Press, 1999. 70–84.

Helg, Aline. Our Rightful Share: The Afro-Cuban Struggle for Equality, 1886–1912. Chapel Hill: University of North Carolina Press, 1995.

———. “Race in Argentina and Cuba, 1880–1930: Theory, Policies, and Popular Reaction.” The Idea of Race in Latin America, 1870–1940. Ed. Richard Graham. Austin: University of Texas Press, 1990. 37–70.

Hemenway, Robert E. Zora Neale Hurston: A Literary Biography. 1977. Urbana: University of Illinois Press, 1980.

Hernández, Graciela. “Multiple Subjectivities and Strategic Positionality: Zora Neale Hurston's Experimental Ethnographies.” Women Writing Culture. Eds. Ruth Behar and Deborah Gordon. Berkeley: University of California Press, 1995. 148–65.

Hernández Adrián, Francisco-Javier. “On Tropical Grounds: Avant-Garde Imaginations of Insularity in the Hispanic Caribbean and the Canary Islands.” Dissertation. New York University, 2002.

Herskovits, Melville J. Life in a Haitian Valley. New York: Knopf, 1937. New York: Octagon, 1975.

Hewitt, Nicholas. “‘Marseille qui jazz’: Popular Culture in the Second City.” www.h-france.net/rude/rude%20volume%20ii/Hewitt%20Final%20Version.pdf

Hiriart, Rosario. Lydia Cabrera: Vida hecha arte. New York: Eliseo Torres & Sons, 1978.

———. Más cerca de Teresa de la Parra (diálogos con Lydia Cabrera). Caracas: Monte Ávila Editores, 1980.

Hoffman-Jeep, Lynda. “Creating Ethnography: Zora Neale Hurston and Lydia Cabrera.” African American Review 39.3 (2005): 337–53.

hooks, bell. Yearning: Race, Gender, and Cultural Politics. Boston: South End, 1990.

Howard, Phillip A. Changing History: Afro-Cuban Cabildos and Societies of Color in the Nineteenth Century. Baton Rouge: Louisiana State University Press, 1998.

Hughes, Langston, trans. The Translations: Federico García Lorca, Nicolás Guillén, and Jacques Roumain. The Collected Works of Langston Hughes. Vol. 16. Introd. Dellita Martin-Ogunsola. Columbia: University of Missouri Press, 2003.

Hurston, Zora Neale. Dust Tracks on a Road. 1942. New York: Harper Collins, 1996.

———. Mules and Men. 1935. New York: Harper Collins, 1990.

———. The Sanctified Church. Introd. Toni Cade Bambara. New York: Marlowe & Co., 1984.

———. Tell My Horse. 1938. New York: Vintage, 1990.

Ibarra, Jorge. Prologue to Revolution: Cuba, 1898–1958. Trans. Marjorie Moore. London: Lynne Rienner Publishers, 1998.

(p.218) Jackson, Walter. “Melville Herskovits and the Search for African American Culture.” Malinowski, Rivers, Benedict and Others: Essays on Culture and Personality. Ed. George W. Stocking, Jr. History of Anthropology, Vol. 4. Madison: University of Wisconsin Press, 1986. 95–126.

Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca: Cornell University Press, 1981.

Jirousek, Lori. “‘That Commonality of Feeling’: Hurston, Hybridity, and Ethnography.” African American Review 38.3 (2004): 417–27.

Kapcia, Antoni. Havana: The Making of Cuban Culture. Oxford: Berg Publishers, 2005.

Kaup, Monika. “Our America That Is Not One: Transnational Black Atlantic Discourses in Nicolás Guillén and Langston Hughes.” Discourse 22.3 (Fall 2000): 87–113.

Kelley, Robin D. G. Freedom Dreams: The Black Radical Imagination. Boston: Beacon Press, 2002.

Krupat, Arnold. Ethnocriticism: Ethnography, History, Literature. Berkeley: University of California Press, 1992.

Kubayanda, Josaphat B. The Poet's Africa: Africanness in the Poetry of Nicolás Guillén and Aimé Césaire. New York: Greenwood, 1990.

Kutzinski, Vera M. “Afro-Hispanic American Literature.” The Cambridge History of Latin American Literature. Eds. González Echevarría and Enrique Pupo-Walker. Vol. 2. New York: Cambridge University Press, 1996. 164–94

———. Against the American Grain: Myth and History in William Carlos Williams, Jay Wright, and Nicolás Guillén. Baltimore: Johns Hopkins University Press, 1987.

———. “‘Cuba Libre’: Langston Hughes and Nicolás Guillén.” Cuba: Un siglo de literatura (1902–2002). Eds. Anke Birkenmaier and Roberto González Echevarría. Madrid: Editorial Colibrí, 2004. 129–46.

———. Sugar's Secrets: Race and the Erotics of Cuban Nationalism. New World Studies Series. Charlottesville: University of Virginia Press, 1993.

Lachatañeré, Rómulo. Manual de Santería. 1942. 2nd ed. Havana: Editorial de Ciencias Sociales, 1995.

———. ¡¡Oh, mío Yemayá!! 1938. Colección Echú Bi. 2nd ed. Havana: Editorial de Ciencias Sociales, 1992.

———. “El sistema religioso de los lucumís y otras influencias africanas en Cuba.” Estudios Afrocubanos 3.1 (1939): 28–84.

Landes, Ruth. The City of Women. 1947. Trans. Introduction by Sally Cole. 2nd ed. Albuquerque: University of New Mexico Press, 1994.

Lane, Jill. Blackface Cuba, 1840–1895. Philadelphia: University of Pennsylvania Press, 2005.

Lang, Andrew. Custom and Myth. 1885. 2nd Ed. Oosterhout, Netherlands: Anthropological Publications, 1970.

Legrás, Horacio. “Hegelian Tales in the Caribbean: Production, Expression, and History in the Articulation of the Atlantic Subject.” Arizona Journal of Hispanic Cultural Studies 5 (2001): 133–48.

(p.219) León, Argeliers. “Prólogo.” Los bailes y el teatro de los negros en el folklore de Cuba. By Fernando Ortiz. 1951. Havana: Editorial Letras Cubanas, 1993. 7–18.

Levering Lewis, David. When Harlem Was in Vogue. 1979. New York: Penguin Books, 1991.

Levine, Suzanne Jill. “Conversación con Lydia Cabrera.” Linden Lane Magazine (abril-junio 1982): 3–4.

Leys Stepan, Nancy. “The Hour of Eugenics”: Race, Gender, and Nation in Latin America. Ithaca: Cornell University Press, 1996.

López-Baralt, Mercedes. Para decir al otro: literatura y antropología en nuestra América. Frankfurt am Main: Vervuert; Madrid: Iberoamericana, 2005.

López-Calvo, Ignacio. Imagining the Chinese in Cuban Literature and Culture. Gainesville: University Press of Florida, 2008.

López Valdés, Rafael. Componentes africanos en el etnos cubano. Havana: Editorial de Ciencias Sociales, 1985.

Ludmer, Josefina. “Tricks of the Weak.” Feminist Perspectives on Sor Juana Inés de la Cruz. Ed. Stephanie Merrim. Detroit: Wayne State University Press, 1991. 86–93.

Luis, William. Literary Bondage: Slavery in Cuban Narrative. Austin: University of Texas Press, 1990.

Lund, Joshua. The Impure Imagination: Toward a Critical Hybridity in Latin American Writing. Minneapolis: University of Minnesota Press, 2006.

“Lydia Cabrera: Otra descubridora de Cuba.” Revolución y cultura 2000: 18–27.

Malinowski, Bronislaw. Argonauts of the Western Pacific. 1922. New York: Dutton, 1961.

———. A Diary in the Strict Sense of the Term. Introd. Raymond Firth. Trans. Norbert Guterman. Stanford: Stanford University Press, 1989.

Manganaro, Marc. Myth, Rhetoric, and the Voice of Authority: A Critique of Frazer, Eliot, Frye, and Campbell. New Haven: Yale University Press, 1992.

Mañach, Jorge. La crisis de la alta cultura en Cuba; Indagación del choteo. Ed. Rosario Rexach. Colección Cuba y Sus Jueces. Miami: Ediciones Universal, 1991.

Marcone, Jorge. La oralidad escrita. Sobre la reivindicación y re-inscripción del discurso oral. Lima: Pontificia Universidad Católica del Peru Fondo Editorial, 1977.

Marcus, George E. and Michael M. J. Fischer. Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences. Chicago: University of Chicago Press, 1986.

Marques de Armas, Pedro L. Introduction. “Psicología de las multitudes.” By Israel Castellanos. La Habana Elegante, Segunda Época (Summer 2004): http://www.habanaelegante.com/Summer2004/Panoptico.html.

Martí, José. “Nuestra América.” Obras completas. Vol. 6. Havana: Editorial de Ciencias Sociales, 1975. 15–23.

———. “Our America.” Selected Writings. Trans. Esther Allen. Introd. Roberto González Echevarría. New York: Penguin Books, 2002.

Martínez Furé, Rogelio. Diálogos imaginarios. Havana: Editorial Letras Cubanas, 1979.

Mateo, Margarita. “Los Cuentos negros de Cuba: transgresión y ruptura.” Transgresiones (p.220) cubanas: Cultura, literatura y lengua dentro y fuera de la isla. Frankfurt am Main: Vervuert; Madrid: Iberoamericana 2006: 41–53.

Matory, J. Lorand. Sex and the Empire That Is No More: Gender and the Politics of Metaphor in Oyo Yoruba Religion. Minneapolis: University of Minnesota Press, 1994.

Matos Arévalos, José A. “Fernando Ortiz: Una propuesta de estudio de las ideas.” Catauro 1.0 (July–December 1999): 32–43.

Maxwell, William J. New Negro, Old Left: African-American Writing and Communism Between the Wars. New York: Columbia University Press, 1999.

Meisenhelder, Susan Edwards. Hitting a Straight Lick with a Crooked Stick: Race and Gender in the Work of Zora Neale Hurston. Tuscaloosa: University of Alabama Press, 1999.

Menéndez, Lázara. “El Monte desde el monte.” Catauro 1.1 (enero–junio 2000): 36–8.

———. Selección de lecturas de Estudios Afrocubanos. Havana: Universidad de Havana, 1990.

Mikell, Gwendolyn. “Feminism and Black Culture in the Ethnography of Zora Neale Hurston.” African-American Pioneers in Anthropology. Eds. Ira E. Harrison and Faye V. Harrison. Urbana: University of Illinois Press, 1999. 51–69.

Miller, Marilyn Grace. Rise and Fall of the Cosmic Race: The Cult of Mestizaje in Latin America. Austin: University of Texas Press, 2004.

Mintz, Sidney W. “From Plantations to Peasantries in the Caribbean.” Caribbean Contours. Ed. Sidney Mintz and Sally Price. Baltimore: Johns Hopkins University Press, 1985.

———. Sweetness and Power: The Place of Sugar in Modern History. New York: Penguin Books, 1985.

Molloy, Sylvia. “Disappearing Acts: Reading Lesbian in Teresa De La Parra.” ¿Entiendes? Queer Readings, Hispanic Writings. Eds. Emilie L. Bergman and Paul Julian Smith. Durham: Duke University Press, 1995. 230–56.

Moore, Robin D. Music and Revolution: Cultural Change in Socialist Cuba. Berkeley: University of California Press, 2006.

———. Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920–1940. Pittsburgh: University of Pittsburgh Press, 1997.

Morejón, Nancy. “A propósito de Nicolás Guillén.” Fundación de la imagen. Havana: Editorial Letras Cubanas, 1988. 103–34.

———. Nación y mestizaje en Nicolás Guillén. 1982. Havana: Ediciones Unión, 2005.

———. Prologue. Recopilación de textos sobre Nicolás Guillén. Serie Valoración Múltiple. Havana: Casa de las Américas, 1974. 7–30.

Mullen, Edward J. Afro-Cuban Literature: Critical Junctures. Contributions to the Study of World Literature 91. Westport/London: Greenwood Press, 1998.

———. “The Emergence of Afro-Hispanic Poetry: Some Notes on Canon Formation.” Hispanic Review 56 (1988): 435–53.

———. “Los negros brujos: A Re-examination of the Text.” Cuban Studies 17 (1988): 11–49.

(p.221) Muñoz-Basols, Javier. “Sangre, tambores y vudú: convergencia del prólogo y la narración como alegoría de lo real-maravilloso en El reino de este mundo.” Céfiro 3.2 (Spring 2003): 44–53.

Nairn, Tom. “The Modern Janus.” New Left Review. 1/94 (Nov.–Dec. 1975): 3–29.

Naranjo Orovio, Consuelo, and Miguel Angel Puig-Samper Mulero. “Spanish Intellectuals and Fernando Ortiz (1900–1941).” Cuban Counterpoints: The Legacy of Fernando Ortiz. Lanham, Mass.: Lexington, 2005. 9–38.

Novás Calvo, Lino. “Los cuentos de Lydia Cabrera.” Exilio (Summer 1969): 17–20.

OʼGiolláin, Diarmuid. Locating Irish Folklore: Tradition, Modernity, Identity. Cork: Cork University Press, 2000.

Ortiz, Fernando. Los bailes y el teatro de los negros en el folklore de Cuba. 1951. 3rd ed. Havana: Editorial Letras Cubanas, 1993.

———. Contrapunteo cubano del tabaco y el azúcar. 1940. Havana: Consejo Nacional de Cultura, 1973.

———. Cuban Counterpoint: Tobacco and Sugar. Trans. Harriet de Onís. Introduction by Fernando Coronil. 1947. Durham: Duke University Press, 1995.

———. “La cubanidad y los negros.” Estudios Afrocubanos 1 (1939): 3–15.

———. “Cuentos afrocubanos.” Archivos del Folklore Cubano. 4.2 (1929): 97–112

.

Rpt. in Catauro 1.1 (enero–junio 2000): 118–129.

———. Entre cubanos: Psicología tropical. Havana: Editorial de Ciencias Sociales, 1987.

———. “Estudiemos La Música Afrocubana.” Estudios Afrocubanos 5 (1940–1946): 7–18.

———. Fernando Ortiz y España: A cien años de 1898. Ed. Jesús Guanche. Havana: Fundación Fernando Ortiz, 1998.

———. Glosario de afronegrismos. 1924. Havana: Editorial de Ciencias Sociales, 1991.

———. Hampa afrocubana: Los negros brujos. 1906. Prologue, Alberto N. Pamies. Miami: Ediciones Universal, 1973.

———. Los negros curros. 1986. Havana: Editorial Ciencias Sociales.

———. Los negros esclavos. 1916. Havana: Editorial de Ciencias Sociales, 1996.

———. “Por la integración cubana de blancos y negros.” Estudios Afrocubanos 5 (1946): 217–230.

———. “Prejuicio.” Cuentos negros de Cuba. By Lydia Cabrera. 1940. Miami: Ediciones Universal, 1993. 7–10.

———. “Los últimos versos mulatos.” Revista Bimestre Cubana 37.3 (May–June 1935): 321–36.

Ortiz Herrera, María Fernanda. “Fernando Ortiz, mi padre.” Cuban Counterpoints: The Legacy of Fernando Ortiz. Ed. Mauricio A. Font and Alfonso W. Quiroz. Lanham, Mass.: Lexington Books, 2005. 3–8.

Palmié, Stephan. Wizards and Scientists: Explorations in Afro-Cuban Modernity and Tradition. Durham: Duke University Press, 2002.

Pamies, Alberto N. “Prólogo.” Hampa afrocubana: Los negros brujos. By Fernando Ortiz. Miami: Ediciones Universal, 1973.

(p.222) Pancrazio, James J. The Logic of Fetishism: Alejo Carpentier and the Cuban Tradition. Lewisburg, Pa.: Bucknell University Press, 2005.

———. “Maceo's Corps(e): The Paradox of Black and Cuban.” Caribe 2.2 (1999): 83–99.

Paravisini-Gebert, Lizabeth. “The Haitian Revolution in Interstices and Shadows: A Re-reading of Carpentier's The Kingdom of This World.” Research in African Literatures 25.2 (Summer 2004): 114–27.

Pavloska, Susanna. Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston. New York: Garland Publishing, 2000.

Paz, Octavio. Children of the Mire: Modern Poetry from Romanticism to the Avant-Garde (Charles Eliot Norton Lectures). 1974. Cambridge, Mass.: Harvard University Press, 1991.

Pérez, Louis A., Jr. Cuba: Between Reform and Revolution. 1988. 3rd edition. Oxford: Oxford University Press, 2006.

———. On Becoming Cuban: Identity, Nationality, and Culture. Chapel Hill: University of North Carolina Press, 1999.

Pérez Firmat, Gustavo. The Cuban Condition: Translation and Identity in Modern Cuban Literature. Cambridge: Cambridge University Press, 1989.

Pérez Heredia, Alexander. “Sobre el epistolario de Nicolás Guillén.” Epistolario de Nicolás Guillén. By Nicolás Guillén. Ed. Alexander Pérez Heredia. Havana: Editorial Letras Cubanas, 2002. 5–13

Pérez Sarduy, Pedro and Jean Stubbs, eds. “Introduction: Race and the Politics of Memory in Contemporary Black Cuban Consciousness.” Afro-Cuban Voices: On Race and Identity in Contemporary Cuba. Gainesville: University Press of Florida, 2000. 1–38.

Piedra, José. “From Monkey Tales to Cuban Songs: On Signification.” Sacred Possessions: Vodou, Santería, Obeah, and the Caribbean. Ed. Margarite Fernández Olmos and Lizabeth Paravisini-Gebert. New Brunswick, N.J.: Rutgers University Press, 1997. 122–50.

Poggioli, Renato. The Theory of the Avant-Garde. Trans. Gerald Fitzgerald. Cambridge, Mass.: The Belknap Press of Harvard University Press, 1968.

Pratt, Mary Louise. “Arts of the Contact Zone.” Profession (1991): 33–40.

———. “Criticism in the Contact Zone: Decentering Community and Nation.” Critical Theory, Cultural Politics, and Latin American Narrative. Eds. Stephen M. Bell, Albert H. Le May, and Leonard Orr. South Bend: University of Notre Dame Press, 1993. 83–102.

———. “Fieldwork in Common Places.” Writing Culture: The Poetics and Politics of Ethnography. Eds. James Clifford and George E. Marcus. Berkeley: University of California Press, 1986. 27–50.

———. Imperial Eyes: Travel Writing and Transculturation. London: Routledge, 1992.

———. “The Traffic in Meaning: Translation, Contagion, Infiltration.” Profession (2002): 25–36.

(p.223) Price Mars, Jean. So Spoke the Uncle. Trans. Magdaline W. Shannon. Washington, D.C.: Three Continents Press, 1983.

Quiroga, José. “Lydia Cabrera, invisible.” Sexualidad y nación. Ed. Daniel Balderston. Pittsburgh: Biblioteca de América, 2000. 99–109.

———. Tropics of Desire: Interventions from Queer Latino America. Sexual Cultures: New Directions from the Center for Lesbian and Gay Studies. New York: New York University Press, 2000.

Rama, Angel. The Lettered City. Trans. and ed. John Charles Chasteen. Durham: Duke University Press, 1996.

———. Transculturación narrativa en América Latina. Mexico City: Siglo Veintiuno Editores, 1982.

Regazzoni, Susanna. “La ambigua realidad cubana en los cuentos de Lydia Cabrera.” Alma cubana: Transculturación, mestizaje e hibridismo. Frankfurt am Main: Vervuert; Madrid, Iberoamericana, 2006. 143–166.

Renan, Ernest. “What Is a Nation?” 1882. Trans. Martin Thom. Nation and Narration. Ed. Homi K. Bhabha. London: Routledge, 1990. 8–22/

Renda, Mary A. Taking Haiti: Military Occupation and the Culture of U.S. Imperialism, 1915–1940. Chapel Hill: University of North Carolina Press, 2001.

Respall Fina, Raimundo. “Abriendo monte.” Preface. El Monte. By Lydia Cabrera. Havana: Editorial Letras Cubanas, 1993.

Richardson, Michael and Krzystof Fijalkowski, eds. Refusal of the Shadow: Surrealism and the Caribbean. London: Verso, 1996.

Rodríguez-Mangual, Edna M. Lydia Cabrera and the Construction of an Afro-Cuban Cultural Identity. Chapel Hill: University of North Carolina Press, 2004.

Rojas, Rafael. “Contra el homo cubensis: Transculturación y nacionalismo en la obra de Fernando Ortiz.” Cuban Studies 35 (2004): 1–23.

———. Isla sin fin: Contribución a la crítica del nacionalismo cubano. Miami: Ediciones Universal, 1998.

Romeu, Raquel. Voces de mujeres en las letras cubanas. Madrid: Editorial Verbum, 2000.

Rosaldo, Renato. Culture and Truth: The Remaking of Social Analysis. Boston: Beacon Press, 1989.

Rosenberg, Fernando J. The Avant-Garde and Geopolitics in Latin America. Pittsburgh: University of Pittsburgh Press, 2006.

Routon, Kenneth. Hidden Powers of State in the Cuban Imagination. Gainesville: University Press of Florida, 2010.

Roy, Maya. Cuban Music: From Son and Rumba to the Buena Vista Social Club and Timba Cubana. Princeton, N.J.: Markus Wiener Publishers, 2002.

Russ, Elizabeth Christine. The Plantation in the Postslavery Imagination. Oxford: Oxford University Press, 2009.

Said, Edward W. Culture and Imperialism. New York: Vintage Books, 1993.

Santana, Joaquín G. El joven Guillén. Havana: Editorial Abril, 1987.

(p.224) Sarmiento, Domingo Faustino. Facundo: Civilization and Barbarism: The First English Translation. Trans. Kathleen Ross. Berkeley: University of California Press, 2003.

Schuller, R. “La etnología moderna.” Revista Bimestre Cubana. (mayo–junio 1929): 410–17.

Scott, Rebecca J. Slave Emancipation in Cuba: The Transition to Free Labor, 1860–1899. Pittsburgh: University of Pittsburgh Press, 1985.

Serra, Ana. The “New Man” in Cuba: Culture and Identity in the Revolution. Gainesville: University Press of Florida, 2007.

Sklodowska, Elzbieta. Espectros y espejismos: Haití en el imaginario cubano. Frankfurt am Main: Vervuert; Madrid: Iberoamericana, 2009.

———. “Spanish American Testimonial Novel: Some Afterthoughts.” 1994

.

Rpt. in The Real Thing: Testimonial Discourse and Latin America. Georg M. Gugelberger, ed. Durham: Duke University Press, 1996. 84–100.

Sifuentes-Jáuregui, Ben. Transvestism, Masculinity, and Latin American Literature: Genders Share Flesh. New York: Palgrave Macmillan, 2002.

Sommer, Doris. Foundational Fictions: The National Romances of Latin America. Berkeley: University of California Press, 1993.

———. “Rigoberta's Secrets.” Latin American Perspectives. 18.3 (Summer 1991): 32–50.

Smalls, James. “‘Race’ As Spectacle in Late-Nineteenth-Century French Art and Popular Culture.” French Historical Studies, 26.2 (Spring 2003): 351–82.

Spitta, Silvia. “Transculturation, the Caribbean, and the Cuban-American Imaginary.” Tropicalizations: Transcultural Representations of Latinidad. Eds. Frances R. Aparicio and Susana Chávez-Silverman. Hanover: Dartmouth University Press, 1997. 160–82.

Stephens, Michelle. “What is this Black in Black Diaspora?” Small Axe 29 (July 2009): 26–38.

Stocking, George W., Jr. “The Ethnographic Sensibility of the 1920s and the Dualism of the Anthropological Tradition.” Romantic Motives: Essays on Anthopological Sensibility. History of Anthropology, Vol. 6. Ed. George W. Stocking, Jr. Madison: University of Wisconsin Press, 1989. 208–76.

———. “Macalay, Kubary, Malinowski: Archetypes from the Dreamtime of Anthropology.” Colonial Situations: Essays on the Contextualization of Ethnographic Knowledge. History of Anthropology, Vol. 7. Ed. George W. Stocking, Jr. Madison: University of Wisconsin Press, 1991. 9–74.

Szasz, Margaret Connell. Between Indian and White Worlds: The Cultural Broker. Norman: University of Oklahoma Press, 1994.

Tarica, Estelle. The Inner Life of Mestizo Nationalism. Minneapolis: University of Minnesota Press, 2008.

Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press, 2003.

Trouillot, Michel-Rolph. Global Transformations: Anthropology and the Modern World. New York: Palgrave Macmillan, 2003.

(p.225) ———. Silencing the Past: Power and the Production of History. Boston: Beacon Press, 1995.

Unruh, Vicky. Latin American Vanguards: The Art of Contentious Encounters. Berkeley: University of California Press, 1994.

Valdés Cruz, Rosa. “Mitos africanos conservados en Cuba y su tratamiento literario por Lydia Cabrera.” Chasqui 3.1 (1982): 31–36.

Vasconcelos, José. La raza cósmica. 1925. The Cosmic Race. Trans. Didier T. Jaén. Afterword, Joseba Gabilondo. Baltimore: Johns Hopkins University Press, 1997.

Vasconcelos, Ramón. “Motivos de son.” Recopilación de textos sobre Nicolás Guillén. Ed. Nancy Morejón. Havana: Casa de las Américas, 1974. 243–46.

Visweswaran, Kamala. Fictions of Feminist Ethnography. Minneapolis: University of Minnesota Press, 1994.

Vitier, Cintio. Lo cubano en la poesía. 1958. Havana: Editorial Letras Cubanas, 2002.

Webb, Barbara J. Myth and History in Caribbean Fiction: Alejo Carpentier, Wilson Harris, and Édouard Glissant. Amherst: University of Massachusetts Press, 1992.

Weiss, Jason. The Lights of Home: A Century of Latin American Writers in Paris. New York: Routledge, 2003.

West, Alan. Tropics of History: Cuba Imagined. Westport, Conn.: Bergin & Garvey, 1997.

Williams, Claudette M. Charcoal and Cinnamon: The Politics of Color in Spanish Caribbean Literature. Gainesville: University Press of Florida, 2000.

Williams, Lorna V. Self and Society in the Poetry of Nicolás Guillén. Baltimore: Johns Hopkins University Press, 1982.

Williams, Vernon J. Jr. Rethinking Race: Franz Boas and His Contemporaries. Lexington: University Press of Kentucky, 1996.

Wilson, Jason. “Alejo Carpentier's Re-invention of América Latina as Real and Marvelous.” A Companion to Magical Realism. Eds. Stephen M. Hart and Wen-chin Ouyang. London: Tamesis Books, 2005. 67–78.

Yúdice, George. “Testimonio and Postmodernism.” The Real Thing: Testimonial Discourse and Latin America. Ed. Georg M. Gugelberger. Durham: Duke University Press, 1996. 42–57 (p.226)