- Title Pages
- Dedication
- Epigraph
- Prologue with Letter from Alicia Alonso
- Acknowledgments
- 1 Always Ask Why
- 2 Pro-Arte Musical, Yavorsky, and New York
- 3 Alicia, Fernando, and Laura
- 4 Musicals, Mordkin, Balanchine, and the Birth of Ballet Theatre
- 5 Repertoire, Camaraderie, and an Étoile
- 6 Challenges and Pilgrimages
- 7 Autumn in New York, and a Dawning in Havana
- 8 Ballet Theatre, a University of Dance, and More …
- 9 Ballet Alicia Alonso
- 10 El Maestro de Maestros, the Father of Cuban Ballet
- 11 Crafting a Curriculum, Sculpting a Style
- 12 Legends and Lessons
- 13 A Revolutionary Proposal
- 14 Batista’s Blackmail Bid
- 15 The Soviet Union Invites the Alonsos
- 16 Cuban Revolution Triumphs—and Invests in Ballet!
- 17 Constructing Ballet Schools, Extending the Revolution
- 18 International Recognition Abroad, at Home, on Film, and in Print
- 19 Camagüey
- 20 Révérence
- Introduction
- Aurora Bosch
- Carlos Acosta
- Azari Plisetsky
- Ramona de Sáa
- Lázaro Carreño and Yoel Carreño
- Tania Vergara
- Menia Martínez
- René de Cárdenas
- John White
- Lorena Feijóo and Lupe Calzadilla
- Jorge Esquivel
- Lorna Feijóo and Nelson Madrigal
- Donald Saddler
- Grettel Morejón
- Appendix A Dance Magazine Interview
- Appendix B La danza eterna Interview
- Appendix C Address to the Assemblée Internationale, Toronto
- Appendix D Prizes Awarded to Cuban National Ballet Dancers, 1964–1974
- Appendix E Selected BNC-Commissioned Repertoire Works, 1959–1974
- Appendix F Elementary, Middle Ballet, and National Arts Schools
- Appendix G Proposal on Ballet
- Appendix H Revolutionary Government Statute to Guarantee National Ballet and Law 812
- Chronology
- Bibliography
- Index
- [UNTITLED]
Alicia, Fernando, and Laura
Alicia, Fernando, and Laura
Giant Steps across a Changing Landscape
- Chapter:
- (p.17) 3 Alicia, Fernando, and Laura
- Source:
- Fernando Alonso
- Author(s):
Toba Singer
- Publisher:
- University Press of Florida
Fernando tells his experiences at 19, marrying and finding a job and living quarters in post-Depression New York in the barrios, learning to become an x-ray technician, finding jobs dancing and good ballet classes, and of his daughter Laura’s birth, at a time that he and Alicia were meeting the dancers they would spend a decade working with.
Keywords: Mordkin Ballet, Ballet Caravan, Enrico Zanfretta, Enrico Cecchetti, Metropolitan Opera House, Lucia Chase, Carnegie Hall, Alicia Alonso, Lincoln Kerstein, George Balanchine
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- Title Pages
- Dedication
- Epigraph
- Prologue with Letter from Alicia Alonso
- Acknowledgments
- 1 Always Ask Why
- 2 Pro-Arte Musical, Yavorsky, and New York
- 3 Alicia, Fernando, and Laura
- 4 Musicals, Mordkin, Balanchine, and the Birth of Ballet Theatre
- 5 Repertoire, Camaraderie, and an Étoile
- 6 Challenges and Pilgrimages
- 7 Autumn in New York, and a Dawning in Havana
- 8 Ballet Theatre, a University of Dance, and More …
- 9 Ballet Alicia Alonso
- 10 El Maestro de Maestros, the Father of Cuban Ballet
- 11 Crafting a Curriculum, Sculpting a Style
- 12 Legends and Lessons
- 13 A Revolutionary Proposal
- 14 Batista’s Blackmail Bid
- 15 The Soviet Union Invites the Alonsos
- 16 Cuban Revolution Triumphs—and Invests in Ballet!
- 17 Constructing Ballet Schools, Extending the Revolution
- 18 International Recognition Abroad, at Home, on Film, and in Print
- 19 Camagüey
- 20 Révérence
- Introduction
- Aurora Bosch
- Carlos Acosta
- Azari Plisetsky
- Ramona de Sáa
- Lázaro Carreño and Yoel Carreño
- Tania Vergara
- Menia Martínez
- René de Cárdenas
- John White
- Lorena Feijóo and Lupe Calzadilla
- Jorge Esquivel
- Lorna Feijóo and Nelson Madrigal
- Donald Saddler
- Grettel Morejón
- Appendix A Dance Magazine Interview
- Appendix B La danza eterna Interview
- Appendix C Address to the Assemblée Internationale, Toronto
- Appendix D Prizes Awarded to Cuban National Ballet Dancers, 1964–1974
- Appendix E Selected BNC-Commissioned Repertoire Works, 1959–1974
- Appendix F Elementary, Middle Ballet, and National Arts Schools
- Appendix G Proposal on Ballet
- Appendix H Revolutionary Government Statute to Guarantee National Ballet and Law 812
- Chronology
- Bibliography
- Index
- [UNTITLED]