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Resistance Reimagined: Black Women's Critical Thought as Survival

Online ISBN:
9780813053431
Print ISBN:
9780813056586
Publisher:
University Press of Florida
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Resistance Reimagined: Black Women's Critical Thought as Survival

Regis M. Fox
Regis M. Fox
Grand Valley State University
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Published:
12 December 2017
Online ISBN:
9780813053431
Print ISBN:
9780813056586
Publisher:
University Press of Florida

Abstract

A reimagining of liberal ideologies of selfhood, privilege, and consent is a significant legacy of nineteenth-century black feminist knowledge production. Yet, analyses of black women’s critical engagement with the liberal problematic—the disjunction between democratic promise and dispossession, between freedom and subjection in the American nation-state—remain incomplete. Resistance Reimagined: Black Women’s Critical Thought as Survival repositions a spectrum of discourses, from canonical nineteenth-century American literary studies to black women’s history, to interrogate black women’s disruptions of the liberal problematic as a medium of resistance. It deploys African-Americanist and feminist literary criticism by scholars such as Saidiya Hartman and Lindon Barrett, post-1960s histories of enslavement and black political consciousness by Stephanie M. H. Camp, and rhetorical theories developed by Shirley Wilson Logan and Vorris Nunley, to expand the bounds of contemporary critical inquiry in two key ways. First, Resistance Reimagined spotlights nineteenth-century black women’s intervention into the effects of liberalism as juridical, economic, and affective performance. This unsettles sedimented perspectives of black resistance as inherently militant, male, and vernacular, while problematizing how scholars have read nineteenth-century African-American women’s activism—against Sojourner Truth or Ida B. Wells-Barnett, for instance—as inauthentic or accommodationist. Second, the text juxtaposes early writers and thinkers, including Harriet Wilson, Elizabeth Keckly, and Anna Julia Cooper, with authors of modern neo-slave narrative, including Sherley Anne Williams, to grapple more effectively with the neoliberal present.

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