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Painting in a State of ExceptionNew Figuration in Argentina, 1960-1965$
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Patrick Frank

Print publication date: 2016

Print ISBN-13: 9780813062228

Published to Florida Scholarship Online: September 2017

DOI: 10.5744/florida/9780813062228.001.0001

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International Recognition, 1964

International Recognition, 1964

Chapter:
(p.94) 4 International Recognition, 1964
Source:
Painting in a State of Exception
Author(s):

Patrick Frank

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813062228.003.0005

In chapter 4, Frank traces the changing styles of Noé and Macció. These two won travel awards from the Di Tella Foundation that took them to New York and Paris. Perhaps because of their absence from the disorder of Buenos Aires, the paintings of both artists evolved toward consideration of formal issues, such as the potential of flat color planes and the integrity of the surface of the work. Jorge de la Vega created the important Anamorphic Conflict series, influenced by Italian artist Enrico Baj and a response to conflicts between Argentine military factions. Frank rebuts critic Clement Greenberg’s comments about the provincialism of the Argentinian art world in 1964. (Greenberg had made a trip to Buenos Aires to judge an art competition.) Frank also discusses solo shows by Noé, de la Vega, Macció, and Deira and their participation in important exhibitions in the United States at the Guggenheim Museum and the Walker Art Center.

Keywords:   Luis Felipe Noé, Jorge de la Vega, Rómulo Macció, Ernesto Deira, Di Tella Foundation, Enrico Baj, Clement Greenberg, Anamorphic Conflict, Guggenheim, Walker Art Center

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