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Dance and GenderAn Evidence-Based Approach$
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Wendy Oliver and Doug Risner

Print publication date: 2017

Print ISBN-13: 9780813062662

Published to Florida Scholarship Online: September 2017

DOI: 10.5744/florida/9780813062662.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use (for details see http://www.florida.universitypressscholarship.com/page/privacy-policy).date: 17 December 2017

Dance in America

Dance in America

Gender and Success

Chapter:
(p.20) 2 Dance in America
Source:
Dance and Gender
Author(s):

Jan Van Dyke

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813062662.003.0002

A variety of data show that men now lead the concert dance field in the United States. Not only do they receive jobs as performers and choreographers out of proportion to their representation as dance students, they also more readily achieve acclaim and financial security. Men stand out among dance artists because there is a paucity of them, giving them a professional advantage. This chapter examines funding at the state and national level, including Guggenheim Fellowships, MacArthur Grants, and National Endowment for the Arts Fellowships to see to whom funding goes. Various awards are also scrutinized for gender equity, including the Dance Magazine Award, Capezio Dance Award, Kennedy Center Honors Award, and the National Medal of the Arts. In addition, teaching and choreographing opportunities for men and women are compared.

Keywords:   Arts, Dance, Gender equity, choreographers, Men in dance, Grants, Awards, Funding

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