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Chesterfield Smith was one of the boldest lawyers of the twentieth century. A child of a poor, broken household but also a child of a politically connected family, Smith grew up aimless. His World War II combat experience changed him. He returned an ambitious and impatient man who had learned from the European theater what systemized hate and prejudice could do. Smith rose fast, building his small firm to a goliath, leading the Florida Bar, and masterminding the creation of a new state constitution. As president of the American Bar Association during Watergate, his was one of the earliest voices calling for Nixon to obey the law or resign. At home, Smith urged his lawyers to improve the practice of law, and the world around them, by “doing good.” Smith’s larger-than-life personality and drive to improve his surroundings irritated some and inspired many.

This book is a comprehensive account of the Daughters of the American Revolution (DAR) and its efforts to keep alive the memory of the nation’s past. It argues that, especially prior to World War II, the DAR’s conservative white middle-class members played a vital role in private citizens’ efforts to both bolster patriotism and guard the nation’s gendered and racial boundaries through commemorative practices. The Daughters engaged in patriotic activism long believed to be the domain of men and deliberately challenged male-centered accounts of US nation-building. At the same time, however, their tales about the past helped reinforce traditional notions of femininity and masculinity, reflecting a strong-held belief that any challenge to these traditions would jeopardize the nation’s stability. In a similar fashion, the organization frequently voiced support for inclusive civic nationalism, but deliberately used memory to consolidate Anglo-Saxon whiteness and keep the nation’s racial divisions in place. By closely examining these ambiguities, this study sheds fresh light on white conservative women’s remarkable agency in US nationalism and explains the tenacity of a particular nationalist ideology that deemed ingrained gender and race hierarchies vital to America’s unity and progress.

Through archaeological and archival research from sites associated with the 1893 World’s Columbian Exposition in Chicago, Disposing of Modernity explores the changing world of urban America at the turn of the twentieth century. Featuring excavations of trash deposited during the fair, Rebecca Graff’s first-of-its kind study reveals changing consumer patterns, notions of domesticity and progress, and anxieties about the modernization of society. Graff examines artifacts, architecture, and written records from the 1893 fair’s Ohio Building, which was used as a clubhouse for fairgoers in Jackson Park, and the Charnley-Persky House, an aesthetically modern city residence designed by Louis Sullivan and Frank Lloyd Wright. Many of the items she uncovers were products that first debuted at world’s fairs, and materials such as mineral water bottles, cheese containers, dentures, and dinnerware illustrate how fairs created markets for new goods and influenced consumer practices. Graff discusses how the fair’s ephemeral nature gave it transformative power in Chicago society, and she connects its accompanying “conspicuous disposal” habits to today’s waste disposal regimes. Reflecting on the planning of the Obama Presidential Center at the site of the Chicago World’s Fair, she draws attention to the ways the historical trends documented here continue in the present.

Finding Balanchine’s Lost Ballets: Exploring the Early Choreography of a Master allows the reader to learn about one of the twentieth century’s greatest artists in a way that has not before been possible. Balanchine’s Russian ballets did not survive in the repertory, but this book demonstrates how some of these lost works need not be relegated to the pages of history but can and should be reconstructed, giving us a vision of our past as artists, scholars, and audiences. The book details the work of setting Balanchine’s first group ballet, Funeral March (Choreography by George Balanchine © The George Balanchine Trust), on the dancers of the Grand Rapids Ballet. It follows this project from archival studies to studio research with the dancers to a final performance. Through careful research on Balanchine’s earliest ballets, traditional research is brought from the archive into the studio, and finally, onto the stage. This visceral approach enables dance history to be studied in its most natural state, kinesthetically, through movement, allowing us to explore, examine, and above all, experience the earliest works of this master.

The primary purpose of this edited volume is to formalize as a theory the historical turn in southeastern archaeology (and American archaeology) and provide a number of case studies illustrating the use of the theory in the region. In previous decades, archaeologists and other scholars studying what is commonly termed “prehistoric” America emphasized long-term, evolutionary change and adaptation, and archaeologists conceptualized pre-colonial societies like living organisms adapting to environmental challenges rather than as collections of people responding to historical trends and forces. The history of archaeology and the reasons for this conceptual frame are complex and deeply rooted in misconceptions about indigenous people as unchanging, static “people without history” who disappeared soon after Europeans arrived in North America. Today, however, archaeologists are combining evolutionary processes with a new understanding that so-called prehistory was also historical, contingent, and local, and historians are looking to the ancient past to better understand Indian societies of the historic era. In other words, scholars now understand that the historic and “prehistoric” eras were not categorically different and that people across this divide were subject to similar historical forces. This historicizing of prehistory represents a profound shift in our way of thinking about precolonial and colonial history and begins to erase the false divide between ancient America and colonial and even contemporary America.

An Introduction to the Sagas of Icelanders provides new perspectives on a unique medieval literary genre: the Sagas of Icelanders (also known in English as Family Sagas). The book deepens our understanding both of the Old Norse-Icelandic texts and of our responses to them by attending to the ways in which the texts work as narratives of identity. It offers a fresh account of the sagas by relating them to questions addressed by postcolonial studies, feminist and queer theory, and ecocriticism, approaches that are currently more familiar in other areas of literary study than in the study of Old Norse-Icelandic literature. The book begins by examining what an Icelandic saga is, and then goes on to discuss the origins of the genre, describing its historical contexts and arguing that a rich variety of oral and written source traditions combined to produce a new literary form. The book then examines issues of national, religious, and legal identity, gender and sexuality, and the relations between human beings, nature, and the supernatural. Readings of selected individual sagas show how the various source traditions and thematic concerns of the genre interact in the most widely read and admired sagas. A brief history of the translation of the sagas into English shows how consistently translation has been inspired by, and undertaken in accordance with, beliefs about identity. The book’s conclusion draws together the preceding chapters by underlining how they have presented the sagas of Icelanders as narrative explorations of identity and alterity.

Leprosy is an infection and neglected tropical disease that is steeped in myths, and, although it is described in history books, it can remain a challenge to manage today. Written in an accessible manner for professionals and the public alike, this book takes a global view of leprosy past and present. As a backdrop, it starts with exploring what we actually know about leprosy from medicine, how it is spread to humans, and its effects on the body. It then moves to consider its diagnosis and treatment in people, past and present. The focus switches next to the ways in which leprosy is diagnosed in skeletons (paleopathology), from just looking at the bones to analyzing the DNA of the bacteria preserved in the bones. By doing so, information on skeletons with evidence of leprosy across the globe is synthesized with the aim of considering the current state of global knowledge regarding the origin, evolution, and history of leprosy. In particular, the book explores how all the people diagnosed with leprosy in their skeletons in the past were buried, and the myth that everybody was ostracized and segregated into leprosy hospitals, due to stigma, is dismissed. It concludes with thoughts on a future for leprosy, the need to continue to dispel its myths and to seriously reconsider the use of the word “leper” when discussing leprosy today and in the past.

Lunar Outfitters chronicles the history of the Apollo space suit and how it was developed and produced. It focuses on the employees of ILC Industries, the maker of these lunar suits, and highlights the first engineer who saw the need for such a suit and those who came along later to advance the suit and make it the best space suit in the industry. Details and stories in the text describe many hurdles, such as the challenges this relatively small company faced in convincing NASA they were capable of fulfilling the contract. Later chapters provide technical details of the various Apollo model suits and how they were assembled, including the materials used.

In this volume, Christina Friberg investigates the influence of Cahokia, the largest city of North America’s Mississippian culture between AD 1050 and 1350, on smaller communities throughout the midcontinent. Using evidence from recent excavations at the Audrey-North site in the Lower Illinois River Valley, Friberg examines the cultural give-and-take Audrey inhabitants experienced between new Cahokian customs and old Woodland ways of life. Comparing the architecture, pottery, and lithics uncovered here with data from thirty-five other sites across five different regions, Friberg reveals how the social, economic, and political influence of Cahokia shaped the ways Audrey inhabitants negotiated identities and made new traditions. Friberg’s broad interregional analysis also provides evidence that these diverse groups of people were engaged in a network of interaction and exchange outside Cahokia’s control. The Making of Mississippian Tradition offers a fascinating glimpse into the dynamics of cultural exchange in precolonial settlements, and its detailed reconstruction of Audrey society offers a new, more nuanced interpretation of how and why Mississippian lifeways developed.

This book examines the experiences of São Paulo’s diverse working class as they encountered rapid urbanization and industrialization brought on by the coffee boom during Brazil’s Old Republic (1891–1930). It places the rank-and-file at the center of its analysis to understand how macroeconomic trends connected to daily life and individual and family responses to labor market discrimination, inflation, and fluctuating (im)migration. The study emphasizes the family-centered nature of immigration to São Paulo in comparison to other immigrant cities like Buenos Aires and New York City. It shows how World War I exacerbated existing working-class hierarchies and cut short important standard-of-living advancements. The study demonstrates how despite its intended purpose to funnel agricultural laborers into the coffee interior, the city’s immigrant receiving station also played a decisive role in shaping the city of São Paulo, serving both as a safety net for residents and labor supplier for employers. Methodologically, this book embraces both social and economic history, deconstructing the population along racial, ethnic, national, and gender lines. Combining statistical analysis alongside close readings of immigrant letters provides a nuanced analysis of recently arrived Paulistanos from Italy, Portugal, Germany, Lebanon, and Japan and from northeastern Brazil. The research demonstrates how Portuguese, women, and Afro-Brazilians all faced significant labor market discrimination, impacting individual and family decisions about where to work and live and whether to join labor movements. The approach provides a powerful tool to address archival silences, recover embedded narratives, and understand historic underdevelopment.

Ordinary Masochisms argues for literary alternatives to pervasive dictatorial norms about masochism that first surface in Victorian literature, reach their pioneering pinnacle in the modernist moment, and are expressly mourned in post-modern texts. In particular, the literary works discussed all challenge the more popular term “sadomasochism” as a conglomerate form of perversion that was named and studied in the late nineteenth century. Underscoring close textual analyses with modern theories of masochism as empowering, this book argues that Charlotte Brontë Villette (1853), George Moore’s A Drama in Muslin (1886), D.H. Lawrence’s The Rainbow (1915), and Jean Rhys’s Quartet (1928) all experiment with masochistic relationships that extend far beyond reductive early readings of inherently feminine or sexually aberrant masochism. Ordinary Masochisms begins with a historical and theoretical examination of masochism’s treatment during the nineteenth, twentieth, and twenty-first centuries before moving to an examination of the Biblical tale of Samson and Delilah in conjunction with Leopold von Sacher-Masoch’s Venus in Furs (1870), from which masochism garners its name. An intermediary chapter treats Octave Mirbeau’s The Torture Garden (1903) as a case study transitioning between sexological and psychoanalytical discourses of the nineteenth and twentieth centuries, while the conclusion about Ian McEwan’s The Comfort of Strangers (1981) addresses masochism’s seeming inability to recuperate itself from categories of deviance, despite the success of contemporary popular culture representations. The book closes with a brief consideration of masochistic reading, a subtle undercurrent of the project as a whole.

Engaging a longstanding controversy important to archaeologists and indigenous communities, Repatriation and Erasing the Past takes a critical look at laws that mandate the return of human remains from museums and laboratories to ancestral burial grounds. Anthropologist Elizabeth Weiss and attorney James Springer offer scientific and legal perspectives on the way repatriation laws impact research. Weiss discusses how anthropologists draw conclusions about past peoples through their study of skeletons and mummies and argues that continued curation of human remains is important. Springer reviews American Indian law and how it helped to shape laws such as NAGPRA (the Native American Graves Protection and Repatriation Act). He provides detailed analyses of cases including the Kennewick Man and the Havasupai genetics lawsuits. Together, Weiss and Springer critique repatriation laws and support the view that anthropologists should prioritize scientific research over other perspectives.

A Revolution in Movement is the first book to illuminate how collaborations between dancers and painters shaped Mexico’s postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance—the emulation of Diaghilev’s Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s. Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortóla Valencia, who helped motivate Mexico to express its own national identity through dance. He discusses the work of muralists and other visual artists in tandem with Mexico’s theatrical dance world, including Diego Rivera’s collaborations with ballet composer Carlos Chávez; Carlos Mérida’s leadership of the National School of Dance; José Clemente Orozco’s involvement in the creation of the Ballet de la Ciudad de México; and Miguel Covarrubias, who led the “golden age” of Mexican modern dance. Snow draws from a rich trove of historical newspaper accounts and other contemporary documents to show how these collaborations produced an image of modern Mexico that would prove popular both locally and internationally and continues to endure today.

Tracing the development of the field of southern women’s history over the past half century, Sisterly Networks shows how pioneering feminists laid the foundation for a strong community of sister scholars and delves into the work of an organization central to this movement, the Southern Association for Women Historians (SAWH). Launched in 1970, the SAWH provided programming, mentoring, fundraising, and outreach efforts to support women historians working to challenge the academic establishment. In this book, leading scholars reflect on their own careers in southern history and their experiences as women historians amid this pathbreaking expansion and revitalization of the field. Their stories demonstrate how women created new archival collections, expanded historical categories to include gender and sexuality, reimagined the roles and significance of historical women, wrote pioneering monographs, and mentored future generations of African American women and other minorities who entered the academy and contributed to public discourse. Providing a lively roundtable discussion of the state of the field, contributors comment on present and future work environments and current challenges in higher education and academic publishing. They offer profound and provocative insights on the ways scholars can change the future through radically rewriting the gender biases of recorded history.

A Struggle for Heritage draws on extensive archaeological, archival, and oral historical research and sets a remarkable standard for projects that engage a descendant community left out of the dominant narrative. Matthews demonstrates how archaeology can be an activist voice for a vulnerable population’s civil rights as he brings attention to the continuous, gradual, and effective economic assault on people of color living in a traditional neighborhood amid gentrification. Providing examples of multiple approaches to documenting hidden histories and silenced pasts, this study is a model for public and professional efforts to include and support the preservation of historic communities of color.

Tampa: Impressions of an Emigrant is a translation of Tampa: impresiones de emigrante written by Cuban author Wenceslao Gálvez y Delmonte, published in 1897 in Ybor City, Tampa, Florida, translated from the Spanish by Noel M. Smith. Gálvez was an early diaspora writer in the costumbrismo genre, which emphasized the depiction of everyday manners and customs of a particular social milieu. Gálvez emigrated from Havana in 1896 to escape the Cuban War of Independence and join the Cuban exile community in Tampa. Gálvez was a champion baseball player in the earliest years of Cuban baseball, a lawyer/prosecutor/judge, and journalist/author. His charming and opinionated first-person narrative is in four parts. Part 1 begins with the escalation of the Spanish war effort that prompted his sea voyage to Tampa, followed by part 2 and descriptions of Tampa’s people and activities, geography, landmarks, municipal features, and cultural pursuits. Parts 3 and 4 extensively discuss many aspects of the Cuban exile community in Ybor City and West Tampa, including the patriotic pro-independence fervor that gripped the emigrants. He names notable personages in the exile community and describes their efforts to support the war against Spain and recounts his struggles working as a door-to-door salesman and as a lector (reader) in a cigar factory. Thirty historical photographs and newspaper clippings illuminate the text.

The first completely researched history of U.S. Spanish-language television traces the rise of two foremost, if widely unrecognized, modern American enterprises—the Spanish-language networks Univision and Telemundo. It is a standard scholarly history constructed from archives, original interviews, reportage, and other public materials. Occasioned by the public’s wakening to a “Latinization” of the U.S., the book demonstrates that the emergence of Spanish-language television as a force in mass communication is essential to understanding the increasing role of Latinos and Latino affairs in modern American society. It argues that a combination of foreign and domestic entrepreneurs and innovators who overcame large odds resolves a significant and timely question: In an English-speaking country, how could a Spanish-speaking institution have emerged? Through exploration of significant and colorful pioneers, continuing conflicts and setbacks, landmark strides, and ongoing controversies—and with revelations that include regulatory indecision, behind-the-scenes tug-of-war, and the internationalization of U.S. mass media—the rise of a Spanish-language institution in the English-speaking U.S. is explained. Nine chapters that begin with Spanish-language television’s inception in 1961 and end 2012 chronologically narrate the endeavor’s first 50 years. Events, passages, and themes are thoroughly referenced.

In The Valkyries’ Loom, Michèle Hayeur Smith examines Viking textiles as evidence of the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the ninth century AD. While previous researchers have overlooked textiles as insignificant artifacts, Hayeur Smith is the first to use them to understand gender and economy in Norse societies of the North Atlantic.This groundbreaking study is based on the author’s systematic comparative analysis of the vast textile collections in Iceland, Greenland, Denmark, Scotland, and the Faroe Islands, materials that are largely unknown even to archaeologists and span 1,000 years. Through these garments and fragments, Hayeur Smith provides new insights into how the women of these island nations influenced international trade by producing cloth (vaðmál); how they shaped the development of national identities by creating clothing; and how they helped their communities survive climate change by reengineering clothes during the Little Ice Age. She supplements her analysis by revealing societal attitudes about weaving through the poem “Darraðarljoð” from Njál’s Saga, in which the Valkyries—Óðin’s female warrior spirits—produce the cloth of history and decide the fates of men and nations.Bringing Norse women and their labor to the forefront of research, Hayeur Smith establishes the foundation for a gendered archaeology of the North Atlantic that has never been attempted before. This monumental and innovative work contributes to global discussions about the hidden roles of women in past societies in preserving tradition and guiding change.

Wage-Earning Slaves is the first systematic study of coartación, a process by which slaves worked toward purchasing their freedom in installments, long recognized as a distinctive feature of certain areas under Spanish colonial rule in the nineteenth century. Focusing on Cuba, this book reveals that instead of providing a “path to manumission,” the process was often rife with obstacles that blocked slaves from achieving liberty. Claudia Varella and Manuel Barcia trace the evolution of coartación in the context of urban and rural settings, documenting the lived experiences of slaves through primary sources from many different archives. They show that slave owners grew increasingly intolerant and abusive of the process and that the laws of coartación were not often followed in practice. The process did not become formalized as a contract between slaves and their masters until 1875, after abolition had already come. Varella and Barcia discuss how coartados did not see an improvement in their situation at this time but essentially became wage-earning slaves as they continued serving their former owners. The exhaustive research in this volume provides valuable insight into how slaves and their masters negotiated with each other in the ever-changing economic world of nineteenth-century Cuba, where freedom was not always absolute and where abuses and corruption most often prevailed.