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Balanchine the TeacherFundamentals That Shaped the First Generation of New York City Ballet Dancers$
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Barbara Walczak and Una Kai

Print publication date: 2008

Print ISBN-13: 9780813032528

Published to Florida Scholarship Online: September 2012

DOI: 10.5744/florida/9780813032528.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 27 November 2021

Corrections That Recur

Corrections That Recur

Chapter:
(p.64) 1.8 Corrections That Recur
Source:
Balanchine the Teacher
Author(s):

Barbara Walczak

Una Kai

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813032528.003.0009

This chapter presents a list of corrections that recur in many of Balanchine's classes. Among these are that women should always keep their legs together on changement and entrechat quatre; on cabriole fouetté, from effacé front to first arabesque, remember to keep the back up on the landing, and plié softly with the knee over the toes of the supporting leg; on all arabesques, the head must be up; and on sissonnes, open both legs and hold the top of the jump.

Keywords:   ballet, dance, George Balanchine, changement, entrechat quatre, cabriole fouetté, arabesque, sissonnes

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