Show Summary Details
- Title Pages
- Figures
- Tables
- Preface
-
1 Approaching Mesoamerican Figurines -
2 Rethinking Figurines -
3 Honduran Figurines and Whistles in Social Context -
4 Formative Period Gulf Coast Ceramic Figurines -
5 Identity, Gender, and Power -
6 Early Olmec Figurines from Two Regions -
7 Crafting the Body Beautiful -
8 New Fire Figurines and the Iconography of Penitence in Huastec Art -
9 The Beautiful, the Bad, and the Ugly -
10 The Weeping Baby and the Nahua Corn Spirit -
11 Alien Bodies, Everyday People, and Hollow Spaces -
12 Sex in the City -
13 Figurines as Bearers of and Burdens in Late Classic Maya State Politics -
14 Making a World of Their Own - Contributors
- Index
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- Title Pages
- Figures
- Tables
- Preface
-
1 Approaching Mesoamerican Figurines -
2 Rethinking Figurines -
3 Honduran Figurines and Whistles in Social Context -
4 Formative Period Gulf Coast Ceramic Figurines -
5 Identity, Gender, and Power -
6 Early Olmec Figurines from Two Regions -
7 Crafting the Body Beautiful -
8 New Fire Figurines and the Iconography of Penitence in Huastec Art -
9 The Beautiful, the Bad, and the Ugly -
10 The Weeping Baby and the Nahua Corn Spirit -
11 Alien Bodies, Everyday People, and Hollow Spaces -
12 Sex in the City -
13 Figurines as Bearers of and Burdens in Late Classic Maya State Politics -
14 Making a World of Their Own - Contributors
- Index