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Broadcasting Modernism$
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Debra Rae Cohen, Michael Coyle, and Jane Lewty

Print publication date: 2009

Print ISBN-13: 9780813033495

Published to Florida Scholarship Online: September 2011

DOI: 10.5744/florida/9780813033495.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 19 September 2021

Introduction

Introduction

Signing On

Chapter:
(p.1) Introduction
Source:
Broadcasting Modernism
Author(s):

Debra Rae Cohen

Michael Coyle

Jane Lewty

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813033495.003.0001

The tripartite structure of this volume responds to and elucidates the informing tensions of the radio imaginary. Part One, “Medium and Metaphor”, comprises five essays that treat the potency of radio as an idea and the importance of those ideas themselves in shaping Modernist production. Part Two, “Pressures and Intrusions”, considers wireless influence on the text in variously particular cultural contexts. By juxtaposing and historicizing the commercial American and noncommercial British models of broadcasting, these essays underscore their divergent specificities and cultural effects. Part Three, “Negotiations, Transactions, Translations”, offers individual case studies of important and influential Modernist figures ranging from Ezra Pound and James Joyce in Modernism's first wave, to Wallace Stevens and Lorine Niedecker somewhat later.

Keywords:   radio, Modernist production, wireless influence, broadcasting, James Joyce

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