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Eroticism, Spirituality, and Resistance in Black Women’s
Writings$
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Donna Aza Weir-Soley

Print publication date: 2009

Print ISBN-13: 9780813033778

Published to Florida Scholarship Online: September 2011

DOI: 10.5744/florida/9780813033778.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 22 September 2021

Literary Interventions in Their Eyes Were Watching God

Literary Interventions in Their Eyes Were Watching God

Chapter:
(p.39) 2 Literary Interventions in Their Eyes Were Watching God
Source:
Eroticism, Spirituality, and Resistance in Black Women’s Writings
Author(s):

Donna Aza Weir-Soley

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813033778.003.0003

This chapter examines the ways in which Zora Neale Hurston's interventions in Their Eyes Were Watching God challenged and transformed the representations of black women in literary texts, thereby laying the groundwork for her legatees to continue the work of imagining the black woman as a sexually vibrant, spiritually whole, fully autonomous, perfectly imperfect subject. Throughout the text, Hurston inscribes Janie's spirituality as a significant aspect of her personality that enables her resistance to multiple systems of repression and domination. In addition to numerous references to the Christian concept of God, Hurston evokes, through specific signs and symbols, the presence of the Haitian Voudoun goddess of love and sexuality, Erzulie, as the leitmotif that introduces and sustains the synthesis of spirituality and sexuality in the portrayal of Janie's character. It also demonstrate how Hurston's text extends Erzulie's historiography to the African–American context.

Keywords:   Zora Neale Hurston, black women, Erzulie, God, Haitian, Voudoun goddess, spirituality, sexuality, love, African–American

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