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Site DanceChoreographers and the Lure of Alternative Spaces$
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Melanie Kloetzel and Carolyn Pavlik

Print publication date: 2011

Print ISBN-13: 9780813034003

Published to Florida Scholarship Online: September 2011

DOI: 10.5744/florida/9780813034003.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 05 December 2021

Ann Carlson

Ann Carlson

Chapter:
(p.104) 5 Ann Carlson
Source:
Site Dance
Author(s):

Melanie Kloetzel

Carolyn Pavlik

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813034003.003.0006

In her earliest attempts in the world of performance, Ann Carlson already fostered an attraction toward unusual sites. After her Western university experience and after being able to perform with Meredith Monk during the 1980s, Carlson was able to establish her own performances, which ranged from small to large scales. Her work is drawn from various theater, performance, choreography, and public and conceptual art principles, and is often organized with a series format as it is usually project-based. While categorizing theater work and site work may be problematic, as Carlson prefers to refer to all of these as work, she articulated that she loved the opportunity for a passerby to just “stumble” upon something unexpected compared to intentionally visiting the theater.

Keywords:   Ann Carlson, site work, project-based work, series format, Meredith Monk, theater

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