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Bloomsday 100Essays on Ulysses$
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Morris Beja and Anne Fogarty

Print publication date: 2009

Print ISBN-13: 9780813034027

Published to Florida Scholarship Online: September 2011

DOI: 10.5744/florida/9780813034027.001.0001

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Secrets, Narratology, and Implicature

Secrets, Narratology, and Implicature

A Virgin Reading of “Calypso”

Chapter:
(p.228) 14 Secrets, Narratology, and Implicature
Source:
Bloomsday 100
Author(s):

Margot Norris

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813034027.003.0015

Fritz Senn, one of the most incisive readers ever to tackle Ulysses, calls “Calypso” “probably the easiest chapter in the novel.” This is certainly true for veteran readers of the novel, who can bring the knowledge of the whole work to bear on figuring out nearly everything that goes on in this episode. But how would “Calypso” strike a first-time or virgin reader, as we might call such a hypothetical figure? This chapter advocates a return to first principles in its endeavor to track the heuristic dilemmas faced by a “virgin” reader of “Calypso.” Adopting Paul Grice's notion of implicature, the role of the unspoken and the implied in discourse, this chapter charts the path the reader must steer through the false leads, explanatory gaps, perplexing conjunctions, semiotic lapses, and insinuated points of view of this episode. It shows that all interpretations of Ulysses must necessarily be incomplete and imperfect and that, moreover, James Joyce forces us to collude in the guilty secrets at which the text playfully gestures only often to reveal as figments.

Keywords:   Fritz Senn, James Joyce, Calypso, Ulysses, virgin reader, Paul Grice, implicature, interpretations

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