- Title Pages
- Dedication
- Foreword
- A Note about the Use of Ballet Terms
- Acknowledgments
- Credits
- Introduction
-
Bené Arnold
-
Gwenn Barker
-
Damara Bennett
-
Peter Boal
-
Yvonne Cartier
-
Karen Gibbons-Brown
-
Gloria Govrin
-
Cynthia Harvey
-
Finis Jhung
-
Roni Mahler
-
David Moroni
-
Dennis Nahat
-
Nina Novak
-
Francia Russell
-
Martin Schläpfer
-
Gina Sinclair
-
Dean Speer
-
Sally Streets Nichols
-
Appendix A Word Teaching Phrases of Peter Boal -
Appendix B Biographical Sketch of Yvonne Cartier by Katharine Kanter -
Appendix C Historical Note on Ethel Meglin by Bené Arnold - Index
- [UNTITLED]
Gina Sinclair
Gina Sinclair
- Chapter:
- (p.149) Gina Sinclair
- Source:
- On Technique
- Author(s):
Dean Speer
- Publisher:
- University Press of Florida
This chapter describes the career and teaching philosophy of Gina Sinclair, who performed with the London Festival Ballet before directing her ballet school in Victoria, British Columbia. Sinclair defines technique as the correct use of movement that will allow the dancer to communicate. The ability to execute technique creates a body of knowledge or skill that can be developed into an art form.
Keywords: London Festival Ballet, ballerinas, ballet dancers, ballet teachers, dancing, teaching technique
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- Title Pages
- Dedication
- Foreword
- A Note about the Use of Ballet Terms
- Acknowledgments
- Credits
- Introduction
-
Bené Arnold
-
Gwenn Barker
-
Damara Bennett
-
Peter Boal
-
Yvonne Cartier
-
Karen Gibbons-Brown
-
Gloria Govrin
-
Cynthia Harvey
-
Finis Jhung
-
Roni Mahler
-
David Moroni
-
Dennis Nahat
-
Nina Novak
-
Francia Russell
-
Martin Schläpfer
-
Gina Sinclair
-
Dean Speer
-
Sally Streets Nichols
-
Appendix A Word Teaching Phrases of Peter Boal -
Appendix B Biographical Sketch of Yvonne Cartier by Katharine Kanter -
Appendix C Historical Note on Ethel Meglin by Bené Arnold - Index
- [UNTITLED]