- Title Pages
- Dedication
- Foreword
- A Note about the Use of Ballet Terms
- Acknowledgments
- Credits
- Introduction
-
Bené Arnold
-
Gwenn Barker
-
Damara Bennett
-
Peter Boal
-
Yvonne Cartier
-
Karen Gibbons-Brown
-
Gloria Govrin
-
Cynthia Harvey
-
Finis Jhung
-
Roni Mahler
-
David Moroni
-
Dennis Nahat
-
Nina Novak
-
Francia Russell
-
Martin Schläpfer
-
Gina Sinclair
-
Dean Speer
-
Sally Streets Nichols
-
Appendix A Word Teaching Phrases of Peter Boal -
Appendix B Biographical Sketch of Yvonne Cartier by Katharine Kanter -
Appendix C Historical Note on Ethel Meglin by Bené Arnold - Index
- [UNTITLED]
Yvonne Cartier
Yvonne Cartier
- Chapter:
- (p.35) Yvonne Cartier
- Source:
- On Technique
- Author(s):
Dean Speer
- Publisher:
- University Press of Florida
This chapter describes the career and teaching philosophy of Yvonne Cartier, who performed with the Royal Ballet of London and was a mime in Paris for more than 20 years. Cartier defines technique as the means by which one realizes the expression of one's art. She also says that, when imparting technique, most teachers employ their own early training experience, enhanced by their professional career, and by the teachers and choreographers who have enriched their knowledge.
Keywords: Royal Ballet, mime, ballet dancers, ballet teachers, dancing, teaching technique, ballerinas
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- Title Pages
- Dedication
- Foreword
- A Note about the Use of Ballet Terms
- Acknowledgments
- Credits
- Introduction
-
Bené Arnold
-
Gwenn Barker
-
Damara Bennett
-
Peter Boal
-
Yvonne Cartier
-
Karen Gibbons-Brown
-
Gloria Govrin
-
Cynthia Harvey
-
Finis Jhung
-
Roni Mahler
-
David Moroni
-
Dennis Nahat
-
Nina Novak
-
Francia Russell
-
Martin Schläpfer
-
Gina Sinclair
-
Dean Speer
-
Sally Streets Nichols
-
Appendix A Word Teaching Phrases of Peter Boal -
Appendix B Biographical Sketch of Yvonne Cartier by Katharine Kanter -
Appendix C Historical Note on Ethel Meglin by Bené Arnold - Index
- [UNTITLED]