Show Summary Details
- Title Pages
- Illustrations
- Acknowledgments
- Introduction
- 1 Rigidigidim De Bamba De
- 2 Tangled Roots
- 3 Rumba Encounters
- 4 My Experience and Experiments in Caribbean Dance
- 5 The Africanness of Dance in Cuba
- 6 Secrets Under the Skin
- 7 Haitian Migration and Danced Identity in Eastern Cuba
- 8 When Jamaica Dances
- 9 Dance, Divas, Queens, and Kings
- 10 Ghanaian Gome and Jamaican Kumina
- 11 Chimin Kwaze
- 12 Dance of the Dominican Misterios
- 13 How to Dance Son and the Style of a Dominican Sonero
- 14 The Drums Are Calling My Name
- 15 Contemporary Dance in Puerto Rico, or How to Speak of These Times
- 16 Bele and Quadrille
- 17 Helen, Heaven, and I
- 18 Dance in Barbados
- 19 Big Drum Dance of Carriacou
- 20 Tradition Reaffirming Itself in New Forms
- 21 A Narrative on the Framework of the Presence, Change, and Continuity of Indian Dance in Trinidad
- Bibliography
- About the Contributors
- Index
(p.ix) Illustrations
(p.ix) Illustrations
- Source:
- Making Caribbean Dance
- Publisher:
- University Press of Florida
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- Title Pages
- Illustrations
- Acknowledgments
- Introduction
- 1 Rigidigidim De Bamba De
- 2 Tangled Roots
- 3 Rumba Encounters
- 4 My Experience and Experiments in Caribbean Dance
- 5 The Africanness of Dance in Cuba
- 6 Secrets Under the Skin
- 7 Haitian Migration and Danced Identity in Eastern Cuba
- 8 When Jamaica Dances
- 9 Dance, Divas, Queens, and Kings
- 10 Ghanaian Gome and Jamaican Kumina
- 11 Chimin Kwaze
- 12 Dance of the Dominican Misterios
- 13 How to Dance Son and the Style of a Dominican Sonero
- 14 The Drums Are Calling My Name
- 15 Contemporary Dance in Puerto Rico, or How to Speak of These Times
- 16 Bele and Quadrille
- 17 Helen, Heaven, and I
- 18 Dance in Barbados
- 19 Big Drum Dance of Carriacou
- 20 Tradition Reaffirming Itself in New Forms
- 21 A Narrative on the Framework of the Presence, Change, and Continuity of Indian Dance in Trinidad
- Bibliography
- About the Contributors
- Index
