Show Summary Details
- Title Pages
- Illustrations
- Acknowledgments
- Introduction
-
1 Rigidigidim De Bamba De -
2 Tangled Roots -
3 Rumba Encounters -
4 My Experience and Experiments in Caribbean Dance -
5 The Africanness of Dance in Cuba -
6 Secrets Under the Skin -
7 Haitian Migration and Danced Identity in Eastern Cuba -
8 When Jamaica Dances -
9 Dance, Divas, Queens, and Kings -
10 Ghanaian Gome and Jamaican Kumina -
11 Chimin Kwaze -
12 Dance of the Dominican Misterios -
13 How to Dance Son and the Style of a Dominican Sonero -
14 The Drums Are Calling My Name -
15 Contemporary Dance in Puerto Rico, or How to Speak of These Times -
16 Bele and Quadrille -
17 Helen, Heaven, and I -
18 Dance in Barbados -
19 Big Drum Dance of Carriacou -
20 Tradition Reaffirming Itself in New Forms -
21 A Narrative on the Framework of the Presence, Change, and Continuity of Indian Dance in Trinidad - Bibliography
- About the Contributors
- Index
(p.ix) Illustrations
(p.ix) Illustrations
- Source:
- Making Caribbean Dance
- Publisher:
- University Press of Florida
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- Title Pages
- Illustrations
- Acknowledgments
- Introduction
-
1 Rigidigidim De Bamba De -
2 Tangled Roots -
3 Rumba Encounters -
4 My Experience and Experiments in Caribbean Dance -
5 The Africanness of Dance in Cuba -
6 Secrets Under the Skin -
7 Haitian Migration and Danced Identity in Eastern Cuba -
8 When Jamaica Dances -
9 Dance, Divas, Queens, and Kings -
10 Ghanaian Gome and Jamaican Kumina -
11 Chimin Kwaze -
12 Dance of the Dominican Misterios -
13 How to Dance Son and the Style of a Dominican Sonero -
14 The Drums Are Calling My Name -
15 Contemporary Dance in Puerto Rico, or How to Speak of These Times -
16 Bele and Quadrille -
17 Helen, Heaven, and I -
18 Dance in Barbados -
19 Big Drum Dance of Carriacou -
20 Tradition Reaffirming Itself in New Forms -
21 A Narrative on the Framework of the Presence, Change, and Continuity of Indian Dance in Trinidad - Bibliography
- About the Contributors
- Index
