Show Summary Details
- Title Pages
- Dedication
- [UNTITLED]
- Illustrations
- Acknowledgments
- Introduction: Comparsas, Congas, and Chambelonas
-
1 Felipe Pichardo Moya's “La comparsa” -
2 Carnival and Ñáñiguismo -
3 Carnival and Afro-Cuban Ritual in Nicolás Guillén's “Sensemayá: canto para matar una culebra” -
4 “Comparsa habanera,” Emilio Ballagas's Emblematic Contribution to Afrocubanismo -
5 Drumming Up the Black Vote -
6 “La conga prohibida” -
7 Representations of Afro-Cuban Carnival in Three Poems by Marcelino Arozarena -
8 An Outsider on the Inside - Epilogue
-
Appendix: A Brief Anthology of Poems Inspired by Afro-Cuban Carnival - Works Cited
- Index
- [UNTITLED]
(p.xiii) Acknowledgments
(p.xiii) Acknowledgments
- Source:
- Carnival and National Identity in the Poetry of Afrocubanismo
- Publisher:
- University Press of Florida
Florida Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .
- Title Pages
- Dedication
- [UNTITLED]
- Illustrations
- Acknowledgments
- Introduction: Comparsas, Congas, and Chambelonas
-
1 Felipe Pichardo Moya's “La comparsa” -
2 Carnival and Ñáñiguismo -
3 Carnival and Afro-Cuban Ritual in Nicolás Guillén's “Sensemayá: canto para matar una culebra” -
4 “Comparsa habanera,” Emilio Ballagas's Emblematic Contribution to Afrocubanismo -
5 Drumming Up the Black Vote -
6 “La conga prohibida” -
7 Representations of Afro-Cuban Carnival in Three Poems by Marcelino Arozarena -
8 An Outsider on the Inside - Epilogue
-
Appendix: A Brief Anthology of Poems Inspired by Afro-Cuban Carnival - Works Cited
- Index
- [UNTITLED]
