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Fernando AlonsoThe Father of Cuban Ballet$
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Toba Singer

Print publication date: 2013

Print ISBN-13: 9780813044026

Published to Florida Scholarship Online: September 2013

DOI: 10.5744/florida/9780813044026.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 24 September 2021

Ramona de Sáa

Ramona de Sáa

Chapter:
(p.133) Ramona de Sáa
Source:
Fernando Alonso
Author(s):

Toba Singer

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813044026.003.0025

Ramona de Sáa, as director of the Academy, discusses how the methodology developed over the years and how the curriculum is assayed by the teachers to assure that there is uniformity, how to create an atmosphere in the studio that encourages students to arrive with their best, and the elements that enable their artistry once technique has been mastered, as well as how the support of the revolutionary government support has been essential to the system the Cubans have created and can be counted on in the future.

Keywords:   Alicia Alonso, Margarita de Sáa, Magda González Moro, Carlota Pereyra, Carlos Acosta, Morror Dance, National Ballet School, Raúl Castro, spiritual preparation, Encuentro

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