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Black Art in BrazilExpressions of Identity$
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Kimberly L. Cleveland

Print publication date: 2013

Print ISBN-13: 9780813044767

Published to Florida Scholarship Online: September 2013

DOI: 10.5744/florida/9780813044767.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 17 February 2020

INTRODUCTION

INTRODUCTION

Chapter:
(p.xiv) (p.1) INTRODUCTION
Source:
Black Art in Brazil
Author(s):

Kimberly L. Cleveland

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813044767.003.0001

This chapter outlines the intersections of art, politics, and race in Brazil during the periods 1900–1950, 1950s–1984, and 1985–the present. The chapter traces the growth of both national and U.S.-based interest in black art in Brazil as well as the shift in discourse from black art to Afro-Brazilian art. Following a discussion of some of the implications surrounding race-related artistic labels, the chapter presents a case for the use of the term “black art” instead of “Afro-Brazilian art.” An explanation for the author’s approach is grounded in a summary of her academic training, methodology, and research undertaken in Brazil. The chapter identifies the specific ways in which the book expands upon the scholarship to-date and advances the current understanding of black art in Brazil. It concludes with an overview of the subsequent six chapters.

Keywords:   Afro-Brazilian art, art, black art, Brazil, politics, race, terminology

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