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Black Art in BrazilExpressions of Identity$
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Kimberly L. Cleveland

Print publication date: 2013

Print ISBN-13: 9780813044767

Published to Florida Scholarship Online: September 2013

DOI: 10.5744/florida/9780813044767.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 25 January 2020

Eustáquio Neves

Eustáquio Neves

Chapter:
(p.89) FOUR Eustáquio Neves
Source:
Black Art in Brazil
Author(s):

Kimberly L. Cleveland

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813044767.003.0005

Eustáquio Neves is a self-taught photographer who lives in the interior state of Minas Gerais. Through an examination of several of his photographic series, this chapter discusses how Neves provides rare insight into regional and personal interpretations of the resonances of slavery. He applies his knowledge of chemistry in chemical and physical interferences in the developing process to create visually complex images. Also, he often draws subjects from the African-descendent populations of his home region. Strongly focused on his own identity as a black Brazilian and artist, the chapter exposes Neves’ resistance to the Afro-Brazilian art label, despite his subject matter. The chapter concludes with a look at how Neves confronts contemporary race-related social challenges by reaching for subjects outside the religious realm. His work reveals how the signifiers of blackness are changing with contemporary production.

Keywords:   chemistry, contemporary art, identity, Minas Gerais, Neves, photography, religion, series, slavery

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