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Black Art in BrazilExpressions of Identity$
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Kimberly L. Cleveland

Print publication date: 2013

Print ISBN-13: 9780813044767

Published to Florida Scholarship Online: September 2013

DOI: 10.5744/florida/9780813044767.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 18 February 2020

Rosana Paulino

Rosana Paulino

Chapter:
(p.128) SIX Rosana Paulino
Source:
Black Art in Brazil
Author(s):

Kimberly L. Cleveland

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813044767.003.0007

Rosana Paulino is a university-trained artist from São Paulo. The chapter begins with an examination of some of her installations, prints, and sculptures in which she engages the urban environment with a strong focus on the black female experience. She uses materials and techniques that are associated with popular Brazilian art and creates personal narratives, which link her work to other contemporary national artistic productions. The chapter reveals that Paulino does not identify with the term Afro-Brazilian art, even though she has participated in most of the large-scale exhibitions. Through her artistic explorations of gender-related visual signifiers of blackness, such as hair, the female nude, and the image of the wet nurse, Paulino’s works expose the weight these ubiquitous and seemingly innocuous markers carry when represented to Brazilian society in a different setting.

Keywords:   Afro-Brazilian art, black female, gender, installation, narrative, popular art, print work, São Paulo, sculpture

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