Jessie Fauset’s Not-So-New Negro Womanhood
Jessie Fauset’s Not-So-New Negro Womanhood
The Harlem Renaissance, the Long Nineteenth Century, and the Legacy of Feminine Representation
Chapter 8 responds to two prevailing arguments about the fiction of Jessie Fauset—the one labeling her work retrograde, the other regarding it as subtly subversive—by viewing the writer’s work as part of a history of long nineteenth-century representation. Countering the dominant perception of the Harlem Renaissance as a break from the past—a view that has shunted Fauset’s work to the sidelines—the essay argues that Fauset’s work explores the legacy of late-nineteenth-century US culture in the emergent modernity of the early twentieth century. Excavating the literary, cultural, and scientific tropes of feminine representation that burst from the pages of Fauset’s fiction, the essay identifies a recent literary past that informs Fauset’s constructions of her modern urban heroines.
Keywords: Jessie Fauset, Harlem Renaissance, Long nineteenth century, Tropes, Heroine
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