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Ceramics of Ancient AmericaMultidisciplinary Approaches$
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Yumi Park Huntington, Dean E. Arnold, and Johanna Minich

Print publication date: 2018

Print ISBN-13: 9780813056067

Published to Florida Scholarship Online: May 2019

DOI: 10.5744/florida/9780813056067.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 24 September 2021

Bodies in Both Worlds

Bodies in Both Worlds

A Preliminary Comparison of Human and Supernatural Dress in Moche Art

(p.156) 6 Bodies in Both Worlds
Ceramics of Ancient America

Sarahh E. M. Scher

University Press of Florida

The Moche people of northern coastal Peru (c. 100 B.C.E–850 C.E.) left behind a great deal of visual communication in their art, which is unusual in its relative naturalism and realistic portrayal of human and animal figures. Although their stylistic choices appear to allow for a close study of artistic imagery and its relationship to Moche life, the Moche were selective in what they included in their iconography; their art is not a comprehensive catalogue of their culture. Nevertheless, by comparing the results of a iconographic analysis of human costume in Moche ceramics with the work of scholars who have studied Moche supernatural representations in the same medium, it is possible to move toward a deeper understanding of mid- to late Moche culture and status as depicted in their art. By focusing mainly on art produced in the middle to late Moche periods (AD 200–550), this essay provides an inquiry into general ideas in Moche culture about the supernatural, ideas which of course would have varied in their details over time and space.

Keywords:   Moche, Peru, Iconography, Ceramics, Costume

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