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Dancing in BlacknessA Memoir$
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Halifu Osumare

Print publication date: 2018

Print ISBN-13: 9780813056616

Published to Florida Scholarship Online: September 2018

DOI: 10.5744/florida/9780813056616.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 19 September 2021

Dancing in Oakland and Beyond, 1977–1993

Dancing in Oakland and Beyond, 1977–1993

(p.237) 6 Dancing in Oakland and Beyond, 1977–1993
Dancing in Blackness

Halifu Osumare

University Press of Florida

As the longest section, chapter 6 covers sixteen years of the author’s career as dancer, choreographer, dance educator, and arts administrator. During this period, she solidified her reputation in the San Francisco-Oakland Bay Area as a leader in the growing black dance and multicultural arts movements when she founds the non-profit dance institution Everybody’s Creative Arts Center (ECAC). She assess her development as a dancer-choreographer, discussing some of her key dance works as well as the creation of the center’s resident dance company, CitiCentre Dance Theatre, which was an important contemporary dance company that operated from 1983 to 1988. She also explores her simultaneous adjunct dance position at Stanford University and several of her choreographic and directorial commissions. The chapter articulates how, in 1989, her accumulated artistic and administrative experience culminated in her founding a major national initiative in black dance: Black Choreographers Moving Toward the 21st Century. She concludes with how she eventually transitioned from the arts to academia after going to graduate school, and how dance and “writing dancing” are similar.

Keywords:   Black Choreographers, Multicultural Arts Movement, Cultural activism, Writing dancing

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