The Conclusion explores the creative collaborations between Lawrence and New Mexico women writers and artists, including Mabel Dodge Luhan, Dorothy Brett, and Georgia O’Keeffe. This chapter discusses the ways in which these women engage with, reconfigure, and regender Lawrence’s own New Mexico writing, and his representation of the Kiowa Ranch. This chapter makes particular reference to Luhan’s Intimate Memories and her autobiographical novel Winter in Taos, and to Brett’s Kiowa Ranch painting “Lawrence’s Three Fates,” and to O’Keeffe’s painting of the pine tree at Kiowa, “The Lawrence Tree.”