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Joyce's Allmaziful PlurabilitiesPolyvocal Explorations of Finnegans Wake$
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Kimberly J. Devlin and Christine Smedley

Print publication date: 2015

Print ISBN-13: 9780813061542

Published to Florida Scholarship Online: September 2016

DOI: 10.5744/florida/9780813061542.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 01 June 2020

“Here Comes Everybody”

“Here Comes Everybody”

HCE and the Existence of Others in I.2

(p.29) 2 “Here Comes Everybody”
Joyce's Allmaziful Plurabilities

Jim LeBlanc

University Press of Florida

Jim LeBlanc introduces readers to the proliferative motif of “the sin in the park” and its metaphysical implications as they emerge most clearly in I.2. He uses a philosophical framework provided by Jean-Paul Sartre: the famous Being and Nothingness postdated the writing of Finnegans Wake, but its arguments bear uncanny resonances when placed in the context of Joycean themes. LeBlanc emphasizes the Wake’s representation of being as inevitably splintered and self-alienated, stolen by the Other’s gaze, temporality, and language.

Keywords:   “the sin in the park”, Jean-Paul Sartre, the Other, the gaze, temporality, Finnegans Wake

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