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Painting in a State of ExceptionNew Figuration in Argentina, 1960-1965$
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Patrick Frank

Print publication date: 2016

Print ISBN-13: 9780813062228

Published to Florida Scholarship Online: September 2017

DOI: 10.5744/florida/9780813062228.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 16 September 2021

Introduction

Introduction

The State of Exception

Chapter:
(p.1) Introduction
Source:
Painting in a State of Exception
Author(s):

Patrick Frank

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813062228.003.0001

The introduction defines the Nueva Figuración movement and gives an overview of the group's shifting reputation, from initial fame in Buenos Aires in the early 1960s to regional importance, limited international recognition in the middle 1960s, and subsequent decline. Frank argues for reconsideration of New Figuration as part of a wider reassessment of the worldwide cosmopolitan development of modern art. The best method for such reassessment, Frank argues, is contextual analysis because many of the Nueva Figuración artists’ works refer both directly and indirectly to contemporary events, cultural products, and sociological trends. Drawing on the work of Carl Schmitt, who first defined Nueva Figuración, and of Giorgio Agamben, who later elaborated on it, Frank describes its temporal backdrop in Argentina as a “state of exception.” The introduction closes on Frank’s summary development of the chronological organization of succeeding chapters.

Keywords:   Nueva Figuración, New Figuration, modern art, cosmopolitan, state of exception, Buenos Aires, 1960s, contextual analysis, Argentina

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