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Joyce and Geometry$
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Ciaran McMorran

Print publication date: 2020

Print ISBN-13: 9780813066288

Published to Florida Scholarship Online: September 2020

DOI: 10.5744/florida/9780813066288.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 28 September 2021

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Joyce and Geometry
Author(s):

Ciaran McMorran

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813066288.003.0001

This chapter explores how James Joyce evokes an overarching concern with the linear in his works, both formally (in terms of the Euclidean ideal of rectilinearity) and conceptually (in terms of linear narratives, histories, arguments, modes of thought, etc.). In particular, it considers how the non-linearity of Joyce’s works reflects a wider questioning of the straight line in modernist literature which followed the development of non-Euclidean geometries in the nineteenth and twentieth centuries. This chapter also provides an overview of the geometric babble which entered into the context of Joyce’s writing following the popularization of non-Euclidean geometry in modernist art and literature, as well as the “fashionable nonsense” associated with the application of geometric concepts in contemporary literary criticism. By referring to the source texts which informed Joyce’s articulation of multiple geometric registers, it traces his engagement with non-Euclidean geometry to his early readings of Giordano Bruno’s mathematical and philosophical works, illustrating how notions associated with the curvature of the straight line inform the structural composition of Ulysses and Finnegans Wake.

Keywords:   Giordano Bruno, fashionable nonsense, Finnegans Wake, James Joyce, literary criticism, modernist, non-Euclidean geometry, Ulysses

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