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A Revolution in MovementDancers, Painters, and the Image of Modern Mexico$
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K. Mitchell Snow

Print publication date: 2020

Print ISBN-13: 9780813066554

Published to Florida Scholarship Online: May 2021

DOI: 10.5744/florida/9780813066554.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 23 September 2021

Epilogue

Epilogue

Mexican and Universal

Chapter:
(p.253) Epilogue
Source:
A Revolution in Movement
Author(s):

K. Mitchell Snow

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813066554.003.0012

Dancers outside the sphere of theatricalized folk performances continued to interact with painters and musicians in creating their works for the public, just as they had done in the 1950s, but they no longer felt the impulse to develop explicitly nationalist works. Rufino Tamayo provided the scenic designs for Guillermina Bravo’s Constelaciones y danzantes (Constellations and Dancers), honoring his seventieth year as a painter. The work mixed movement and sound from Tamayo’s home stage of Oaxaca, whose indigenous dancers had influenced Bravo early in her career, with materials drawn from across the globe. Bravo rendered homage to Tamayo through an expression that embraced both Mexico’s local roots and its place in the broader world, just as the painter had done throughout his career.

Keywords:   Guillermina Bravo, Constelaciones y danzantes, Rufino Tamayo, nationalist works, Constellations and Dancers

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