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Finding Balanchine's Lost BalletsExploring the Early Choreography of a Master$
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Elizabeth Kattner

Print publication date: 2020

Print ISBN-13: 9780813066646

Published to Florida Scholarship Online: May 2021

DOI: 10.5744/florida/9780813066646.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 22 September 2021

One Final Note

One Final Note

What We Have Learned

Chapter:
(p.103) 6 One Final Note
Source:
Finding Balanchine's Lost Ballets
Author(s):

Elizabeth Kattner

Publisher:
University Press of Florida
DOI:10.5744/florida/9780813066646.003.0006

This final chapter discusses the merits of the project, showing how examining George Balanchine’s earliest ballets allows us a better understanding of his mature works. Comparisons are drawn between his lost ballets and those that are in the repertory: Prodigal Son, Apollo, Serenade, Jewels, Stravinsky Violin Concerto, and others. This conclusion shows the merits of a dance reconstruction project like Funeral March and demonstrates how it enables historians, dance artists, and audiences to gain greater depth in their understanding of ballet as an art form.

Keywords:   Funeral March, Prodigal Son, Stravinsky Violin Concerto, dance reconstruction

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