One Final Note
One Final Note
What We Have Learned
This final chapter discusses the merits of the project, showing how examining George Balanchine’s earliest ballets allows us a better understanding of his mature works. Comparisons are drawn between his lost ballets and those that are in the repertory: Prodigal Son, Apollo, Serenade, Jewels, Stravinsky Violin Concerto, and others. This conclusion shows the merits of a dance reconstruction project like Funeral March and demonstrates how it enables historians, dance artists, and audiences to gain greater depth in their understanding of ballet as an art form.
Keywords: Funeral March, Prodigal Son, Stravinsky Violin Concerto, dance reconstruction
Florida Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .
