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Picturing CubaArt, Culture, and Identity on the Island and in the Diaspora$
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Jorge Duany

Print publication date: 2019

Print ISBN-13: 9781683400905

Published to Florida Scholarship Online: May 2020

DOI: 10.5744/florida/9781683400905.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 28 July 2021

Cuban Painting at the Turn of the Century (1902–1930)

Cuban Painting at the Turn of the Century (1902–1930)

The Nexus between Traditional and Vanguard

Chapter:
(p.70) 4 Cuban Painting at the Turn of the Century (1902–1930)
Source:
Picturing Cuba
Author(s):

Anelys Alvarez

Publisher:
University Press of Florida
DOI:10.5744/florida/9781683400905.003.0005

Art historian Anelys Alvarez reviews the tumultuous first three decades of the Cuban Republic (1902–30) and their impact on painting and other visual arts such as sculpture. First, she questions the conventional dichotomy between traditional (or academic) and avant-garde (or modernist) art in Cuba during this period. She then recovers several forgotten artists, such as Antonio Rodríguez Morey, María Capdevila, and Manuel Mesa, who were active on the island before the rise of modernism in the 1930s. Alvarez reappraises a whole generation of painters who served as an artistic bridge between the late nineteenth century and the first generation of avant-garde (vanguardista) painters in 1927.

Keywords:   Cuban Republic, Avant-garde painting, Modernism, Academic, Art historian, Antonio Rodríguez Morey, María Capdevila, Manuel Mesa

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