Women Not Successful Here
Women Not Successful Here
Cuban Women Artists, from San Alejandro to the Vanguardia
Art historian Carol Damian laments the scarcity of Cuban women artists from the early nineteenth century to the mid-twentieth century. Damian explains that this trend was based on both women’s traditional exclusion from art academies and exhibition circuits and difficulties in traveling abroad and establishing their own studios. Yet she documents the work of eight major women artists during the first half of the twentieth century in Cuba, including Mirta Cerra and Gina Pellón. Most of these artists were associated with the San Alejandro Academy of Fine Arts in Havana, participated in numerous exhibitions, and received critical acclaim during their lifetime. However, most critics now neglect them—except for Amelia Peláez—in favor of the canonized male leaders of the Cuban vanguardia. Damian concludes with a call for further research and reflection on the careers of lesser-known female figures and their contributions to Cuban art before and after the country’s independence in 1902.
Keywords: Women artists, San Alejandro Academy of Fine Arts, Mirta Cerra, Gina Pellón, Amelia Peláez
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