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Picturing CubaArt, Culture, and Identity on the Island and in the Diaspora$
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Jorge Duany

Print publication date: 2019

Print ISBN-13: 9781683400905

Published to Florida Scholarship Online: May 2020

DOI: 10.5744/florida/9781683400905.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 28 July 2021

Cuban Architects at Home and in Exile

Cuban Architects at Home and in Exile

The Modernist Generation

Chapter:
(p.109) 7 Cuban Architects at Home and in Exile
Source:
Picturing Cuba
Author(s):

Victor Deupi

Jean-François Lejeune

Publisher:
University Press of Florida
DOI:10.5744/florida/9781683400905.003.0008

Architectural historians Victor Deupi and Jean-François Lejeune assess the legacy of the “modernist generation” of Cuban architects who were active on the island between the late 1930s and 1959. Deupi and Lejeune focus on how this generation struggled “to be modern and Cuban at the same time,” and how this tension informed their residential designs. Many Cuban architects sought to adapt modern aesthetics and building techniques to a tropical climate in their blueprints for private houses, public buildings, and urban planning. Architect Eugenio Batista codified the main elements of vernacular Cuban houses as “the three ps”—persianas (louvers), patios (courtyards), and portales (arcades)—which other architects adopted. Deupi and Lejeune have followed the professional careers of numerous Cuban architects who moved abroad after the Revolution and left a “transnational and transcultural” imprint in the built environments of their host countries, particularly the United States, Puerto Rico, and Venezuela.

Keywords:   Modernist generation, Modern aesthetics, Cuban architects, Eugenio Batista, Cuban houses, Eugenio Batista

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