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Digital Humanities in Latin America$
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Héctor Fernández L'Hoeste and Juan Carlos Rodríguez

Print publication date: 2020

Print ISBN-13: 9781683401476

Published to Florida Scholarship Online: September 2020

DOI: 10.5744/florida/9781683401476.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 09 May 2021

Electronic Civil Disobedience

Electronic Civil Disobedience

Before 9/11 and after 9/11

Chapter:
(p.205) 12 Electronic Civil Disobedience
Source:
Digital Humanities in Latin America
Author(s):

Ricardo Domínguez

Publisher:
University Press of Florida
DOI:10.5744/florida/9781683401476.003.0013

This chapter discusses the Electronic Disturbance Theater (EDT), a group that developed virtual sit-in technologies in solidarity with the Zapatistas communities in Chiapas, Mexico, in 1998. EDT, like many artivist groups, understood that the “politics of fear” set-off by 9/11 would be used by governments to establish almost everything under the signs of cyberwar, cyberterrorism, and cybercrime in order stop the development of Digital Zapatismo, electronic civil disobedience, hacktivism, and tactical media work across the arcs of Latin America and beyond. This essay establishes the conditions that were navigated by EDT and artivists working across digital platforms to establish new network gestures that would connect and amplify new visions of social formations emerging across Latin America, especially from the indigenous communities that were not deterred by the establishment of post-9/11 planetary war.

Keywords:   Artivist, Digital Zapatismo, Electronic Disturbance Theater, electronic civil disobedience, hacktivism, Mexico, cybercrime, 9/11

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