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Handmade in CubaRolando Estévez and the Beautiful Books of Ediciones Vigía$
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Ruth Behar, Juanamaría Cordones-Cook, and Kristin Schwain

Print publication date: 2020

Print ISBN-13: 9781683401520

Published to Florida Scholarship Online: January 2021

DOI: 10.5744/florida/9781683401520.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 25 October 2021

Tracing the Tracks of Time in Natural Love

Tracing the Tracks of Time in Natural Love

Nancy Morejón’s Cántico de la huella

Chapter:
(p.63) 5 Tracing the Tracks of Time in Natural Love
Source:
Handmade in Cuba
Author(s):
Gwendolyn Díaz
Publisher:
University Press of Florida
DOI:10.5744/florida/9781683401520.003.0006

This chapter features a comparative analysis of Cántico de la huella, an erotic elegy by Cuban poet Nancy Morejón, and of Rolando Estévez’s interpretation of the poem in his book design, which included a cover of two lovers perched in a tree face to face. Díaz discusses the literary and artistic traditions that coalesce mind and body as an impression of quantum spacetime, the eternal present of the poetic voice, while she explores the way Estévez captures the essence of the poem and symbolically enhances its sensual quality.

Keywords:   Cántico de la huella, natural love, Erotic elegy, Cuban poet, Nancy Morejón, Rolando Estévez

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