Vigía Iconography and the Construction of a Cuban Identity
Vigía Iconography and the Construction of a Cuban Identity
Ediciones Vigia’s chief designer, Rolando Estévez Jordán, created his own artistic language by adopting and adapting iconography from a variety of traditions that span the vanguardia and New Art movements in Cuban art to ancient Greece statuary, medieval manuscripts, and modernist works of Western art. This chapter considers how Vigía created its own vision of twentieth-century Cuban history and contemporary Cuban identity through these allusions as well as the material designs of the books and the literature published within them.
Keywords: Cuban art, Ediciones Vigía, Iconography, Identity, New Art, Vanguardia, Western art
Florida Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .