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The New Brazilian MediascapeTelevision Production in the Digital Streaming Age$
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Eli Lee Carter

Print publication date: 2020

Print ISBN-13: 9781683401834

Published to Florida Scholarship Online: January 2021

DOI: 10.5744/florida/9781683401834.001.0001

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Conclusion

Conclusion

Chapter:
(p.161) Conclusion
Source:
The New Brazilian Mediascape
Author(s):

Eli Lee Carter

Publisher:
University Press of Florida
DOI:10.5744/florida/9781683401834.003.0008

Although more changes will certainly arise as the transformations to the Brazilian mediascape continue to take hold, it is clear that the confluence of legislative, technological, economic, and creative factors during the post-2011 context have given way to the most competitive mediascape in the history of Brazil. This particular moment represents a snapshot of Brazil, where the increasingly diverse field of television and Internet fiction is altering the relationships between distributor and producer and producer and viewer, and where a hegemonic force like Globo struggles to maintain and reproduce its audiences in the face of a number of subnational, transnational, and global movements, organizations, and technologies. In short, in the new Brazilian mediascape, while Globo competes with national and international pay-television channels, YouTube, and Netflix and while telenovelas compete with series, both local and foreign, more Brazilians in more parts of Brazil are faced with more symbolic portrayals of the nation than ever before. The result is a Brazil reframed by the small screens.

Keywords:   Globo Play, Netflix, You-Tube, telenovelas, Brazil, TV Globo, global mediascape, web series

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