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Cuba's Digital RevolutionCitizen Innovation and State Policy$
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Ted A. Henken and Sara Garcia Santamaria

Print publication date: 2021

Print ISBN-13: 9781683402022

Published to Florida Scholarship Online: January 2022

DOI: 10.5744/florida/9781683402022.001.0001

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PRINTED FROM FLORIDA SCHOLARSHIP ONLINE (www.florida.universitypressscholarship.com). (c) Copyright University Press of Florida, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FLASO for personal use.date: 30 June 2022

Historical Itineraries and Cyclic Trajectories

Historical Itineraries and Cyclic Trajectories

Alternative Media, Communication Technologies, and Social Change in Cuba

Chapter:
(p.51) 2 Historical Itineraries and Cyclic Trajectories
Source:
Cuba's Digital Revolution
Author(s):

Edel Lima Sarmiento

Publisher:
University Press of Florida
DOI:10.5744/florida/9781683402022.003.0003

With the increased interest in alternative digital media in contemporary Cuba, scholars tend to overlook the fact that alternative media have a long and complex history that well precedes the so-called “digital revolution.” In adopting a broader, historical focus to analyze four convulsive periods of Cuba’s history in which technological affordances have enabled alternative communication to emerge, this chapter reconstructs radical media experiences during the Ten Years’ War, The Cuban War of Independence, and the dictatorships of Gerardo Machado and Fulgencio Batista. It draws from the concept of Downing’s (2001) radical media and Rodríguez’s (2001) citizen media. The chapter offers an overview of the most important alternative media and their objectives and links to revolutionary movements. Media content, internal organization, use of technology, means of distribution, and the repercussions they faced are explored. It then proposes five traits that tie the different eras together with respect to contemporary alternative communication: illegality and repression, use of new technology, innovative means of production and distribution, professional expertise, and the intervention of diasporic communities. The chapter argues that alternative communication in Cuba has been a continuous historical, sociopolitical phenomenon, rather than an exceptional, ahistorical phenomenon merely afforded by today’s spread of digitalization.

Keywords:   alternative media, digital media, press history, Cuba, history, radical media, revolutionary movements, diasporic communities

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